Joey Foreman
Forum Replies Created
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Motion Track the object to be painted over. Make a layer containing the object which has had the logo painted out. Attach that layer to the track point. Rotoscope that layer to mask out objects which obscure it.
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With some of them you just know right off the bat that there’s no point in wasting time with anything more than the briefest response. I applaud all the others who made an effort to recapitulate the manual for him, Hopefully someone else can benefit from your thoughtful input.
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Hit 0 on the numeric keypad, not the period. A peek in the manual from time to time might be helpful.
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Don’t Export your composition. Render it.
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Well, i’m sure you realize that this wasn’t shot on video. Since it’s animation, that text was literally textured onto the wall surface. It probably originated in photoshop, and was animated in AE or Shake with a mask reveal.
To do this in live-action video, you’ll need to set up tracking markers in the shot where you want the text. Then you can use MochaAE in AE 9 if you have it, or depending on the complexity of the camera move, you may to buy a dedicated 3d tracker like SynthEyes.
As for getting the text to look painted-on, a combination of transfer modes and displacement mapping will do the trick. -
I seem to remember this being a bug in Quicktime 7.4.
Upgrade to 7.6 and this should go away. -
Check out this tutorial by Andrew Kramer. It utilizes offset tracking, which is what it sounds like you need for this shot.
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Your viewer window is set at half resolution.
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That’s what i had begun to consider the best route. I’ll give it a shot. Thanks.
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The 60i footage was shot in 60i. I just want to preserve its look when intercut with the 24P. I know for the dvd release i could possibly compress the two sequences separately and cut them back together in DVDSP but that is clunky and not the way I want to go. Does anyone know of a way to trick FCP into not converting it to 24P?