Forum Replies Created

Page 10 of 11
  • Jared Cicon

    March 10, 2010 at 2:01 am in reply to: TWO video formats – ONE :30 commercial – FCP

    Hey Michael,
    Hope this isn’t the question that shouldn’t be asked.
    When I convert to a ProRes codec during ingest, will I still be maintaining my distinct 60FPS attribute of the EX1 footage? It is ultra critical that I have 60 distinct different frames to work with to accomplish the slow-mo effect I am going to execute.
    Jared

  • Jared Cicon

    March 10, 2010 at 1:40 am in reply to: TWO video formats – ONE :30 commercial – FCP

    Hi Michael,
    Thanks for getting back to me so quickly. I wold love to shoot at a higher hi-def mode but the 60FPS on the EX1 is limited to 720P. The slow motion effect I need to achieve requires 60 FPS. The FX1 was used to shoot the already existing footage at 29.97FPS. The bed is made. I must sleep in it. I can only change the pillow cases and comforter.

    RE: Ingesting
    I will be importing from the two different cameras and am only familiar with FCP 5.1.4. Are you saying with 6.0.6 I can: 1) capture and transfer with the same ProRes clip setting? 2) The end result will be the same size/ratio clips for both media?

    Jared

  • Jared Cicon

    October 9, 2009 at 9:57 pm in reply to: Deinterlacing Quicktime Movies

    Appreciate it Jeremy. I will give it a go. Thanks for your time and expertise.
    Jared

  • Jared Cicon

    October 9, 2009 at 9:37 pm in reply to: Deinterlacing Quicktime Movies

    Hey Jeremy,
    So if I make the QUICKTIME movie and deselect ‘Make move self contained’, am I essentially making a mirror copy with all of the original attributes albeit a single clip? And at this point I can deinterlace the single movie length clip?
    Jared

  • Jared Cicon

    October 9, 2009 at 9:02 pm in reply to: Deinterlacing Quicktime Movies

    HI Jeremy,
    I may not be making myself clear. Within Final Cut, and after selecting ‘in and out’ points, I select FILE>EXPORT>QUICKTIME MOVIE. After this file is created it bears a FC icon and is only recognizable by Final Cut (unless converted). These movie files are generally very large files and I am assuming uncompressed. Let me know if I am good up this point.

    If I decide to use compressor, what codec should I use? 8-bit, or 10-bit uncompressed? The main thing here is that I end up with a file that I can layer on itself with some effects and that can also be de-interlaced as well.

    Jared

  • Jared Cicon

    October 9, 2009 at 7:56 pm in reply to: Deinterlacing Quicktime Movies

    Hey Jeremy,
    In other words, do I have to go into FC and apply de-interlace to each individual clip?….or can I make a quicktime movie and apply ‘de-interlace’ to the single quicktime movie? Thanks for your time man.
    Jared

  • Jared Cicon

    October 9, 2009 at 7:54 pm in reply to: Deinterlacing Quicktime Movies

    Hey Jeremy,
    Thanks for helping out here. Could you read my initial post and let me know what you think? Thanks.
    Jared

  • Jared Cicon

    October 9, 2009 at 6:05 pm in reply to: Deinterlacing Quicktime Movies

    Hi Dave,
    The status window suggests a 4 hour rendering period. I know that it is usually always much shorter than that as the mac and FCP expedite through the task, but it still seems it will take a good half hour or so. The data is only :30. Although it is hi def, does this sound like a normal time estimate for such a procedure?

    I do have quite a bit of layers and graphics (which is why I wanted to quicktime movie the project as soon as possible).

    Jared

  • Jared Cicon

    October 9, 2009 at 5:58 pm in reply to: Deinterlacing Quicktime Movies

    Check that Dave, the RED render bar deployed on the video side only. I was looking at a blown up portion of the timeline when I erroneously reported that both video AND audio were effected.

  • Jared Cicon

    October 9, 2009 at 5:55 pm in reply to: Deinterlacing Quicktime Movies

    Hey Dave,
    I went into the ‘Sequence’ tab and changed the ‘dominance’ form ‘odd’ to ‘none’. Immediately the entire time line (video and audio) went to RED render band. I understand why, but am wondering if this render procedure will be a one time process notwithstanding future edits I will make and if the shift in fields will effect any editing I have already executed. In other words is there a benefit to changing the field ‘order’ prior to editing?

    By not having to de-interlace, you assert that I should (in theory) have better/cleaner results when I add my composite layer ‘overlay’ to pump up the darks and the mids. Is that a correct assumption?

    Jared

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