Forum Replies Created
-
Hey Michael,
Hope this isn’t the question that shouldn’t be asked.
When I convert to a ProRes codec during ingest, will I still be maintaining my distinct 60FPS attribute of the EX1 footage? It is ultra critical that I have 60 distinct different frames to work with to accomplish the slow-mo effect I am going to execute.
Jared -
Hi Michael,
Thanks for getting back to me so quickly. I wold love to shoot at a higher hi-def mode but the 60FPS on the EX1 is limited to 720P. The slow motion effect I need to achieve requires 60 FPS. The FX1 was used to shoot the already existing footage at 29.97FPS. The bed is made. I must sleep in it. I can only change the pillow cases and comforter.RE: Ingesting
I will be importing from the two different cameras and am only familiar with FCP 5.1.4. Are you saying with 6.0.6 I can: 1) capture and transfer with the same ProRes clip setting? 2) The end result will be the same size/ratio clips for both media?Jared
-
Appreciate it Jeremy. I will give it a go. Thanks for your time and expertise.
Jared -
Hey Jeremy,
So if I make the QUICKTIME movie and deselect ‘Make move self contained’, am I essentially making a mirror copy with all of the original attributes albeit a single clip? And at this point I can deinterlace the single movie length clip?
Jared -
HI Jeremy,
I may not be making myself clear. Within Final Cut, and after selecting ‘in and out’ points, I select FILE>EXPORT>QUICKTIME MOVIE. After this file is created it bears a FC icon and is only recognizable by Final Cut (unless converted). These movie files are generally very large files and I am assuming uncompressed. Let me know if I am good up this point.If I decide to use compressor, what codec should I use? 8-bit, or 10-bit uncompressed? The main thing here is that I end up with a file that I can layer on itself with some effects and that can also be de-interlaced as well.
Jared
-
Hey Jeremy,
In other words, do I have to go into FC and apply de-interlace to each individual clip?….or can I make a quicktime movie and apply ‘de-interlace’ to the single quicktime movie? Thanks for your time man.
Jared -
Hey Jeremy,
Thanks for helping out here. Could you read my initial post and let me know what you think? Thanks.
Jared -
Hi Dave,
The status window suggests a 4 hour rendering period. I know that it is usually always much shorter than that as the mac and FCP expedite through the task, but it still seems it will take a good half hour or so. The data is only :30. Although it is hi def, does this sound like a normal time estimate for such a procedure?I do have quite a bit of layers and graphics (which is why I wanted to quicktime movie the project as soon as possible).
Jared
-
Check that Dave, the RED render bar deployed on the video side only. I was looking at a blown up portion of the timeline when I erroneously reported that both video AND audio were effected.
-
Hey Dave,
I went into the ‘Sequence’ tab and changed the ‘dominance’ form ‘odd’ to ‘none’. Immediately the entire time line (video and audio) went to RED render band. I understand why, but am wondering if this render procedure will be a one time process notwithstanding future edits I will make and if the shift in fields will effect any editing I have already executed. In other words is there a benefit to changing the field ‘order’ prior to editing?By not having to de-interlace, you assert that I should (in theory) have better/cleaner results when I add my composite layer ‘overlay’ to pump up the darks and the mids. Is that a correct assumption?
Jared