Ian Corey
Forum Replies Created
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Let me guess: you’ve tried other output codecs?
Unless you’re going to DV, I’d try to squeeze a little more information into your final render. DV looks a slight bit like ass.
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Hm. Is it possible to look at the settings for your rendered video? I use Quicktime (command + i) to see the specs. Just to be sure you’re actually seeing interlace.
Also, what codec are you using to export this AVI?
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By the way, that suggestion will get you no where near as awesome as the Pierre Michel video you linked to. That’s just too awesome.
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A single piece of glitter is a small reflective square. As it falls through a fluid (water or air) it will tumble. If there is a light source it will reflect that light source into your eye momentarily when it is at the appropriate angle.
My advice would be to set up a comp where you have a tiny square that rotates (X, Y, Z) in 3D. Then I’d create a light. I’d set the Specular Reflection of the solid way up and the Metal way down (so it’s very shiny). Then I’d place my light appropriately (head-on light or over head light).
I’d bring that pre-comp into my working comp, hide it, and set it as the particle (Random, Play Once).
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Tell us what footage type you are using.
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Dude, you’re going to have to give up some more details if you want this string to bring you ideas. We have no idea what the logo looks like:
Are the papers lined up in a grid?
Are they stacked?
Straight? Messy?
A clean edge silhouette?
Negative space showing a shape of papers?
Do they blow away and curl like natural?We have no clue what you are looking at. How are we going to help you?
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Easy. Go to art school. Learn to animate.
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You probably have the “Easy 3D” switch turned on. This switch hides the processor-hogging shadows, DOF and lighting. It’s there with the motion blur on/off.
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There are no folders on the timeline. Your footage comes in to the composition in a precomp if you had it in a PSD folder.