[Ben Barnes]

thanks for the info. i don’t see a different way of importing/interpreting the footage to account for the discrepancy you’re talking about, as the quicktime converted from the xml data is preconverted to 24P.

i guess my question now is, if i time remap in AE, will i still get the same (barely noticeable) frame duplication every however many frames that i get in FCP, or is it more seamless?

If I resample the audio to be 1.8% faster, is there a basically lossless method of resampling? i mean adjusting for time without changing pitch.

[Ben Barnes]

we shot on an hvx at 36fps. the raw footage imported as the usual 23.976 fcp quicktime with the DVCProHD 720p60 codec

[Ben Barnes]

i’m pretty sure it’s around 98.0 / 98.2. I don’t know exactly how it ended up off, but I shot at 36fps, converted the track to 66.67% of its length in peak, and used it in playback, threw it up into a 24fps timeline, and was out of sync.

if i wanted to adjust audio instead, what’s the best way to do it to a music track to preserve the highest quality? the band is anxious about making the track sound bad in any way.

[Ben Barnes]

thanks. i tried creating a 6.0 project, and it solved the issue for one clip. the other clip now plays fine in the source window, but still has the same issue when played in / outputted from the timeline. any idea? thanks again,

ben

[Ben Barnes]

would you be able to email me the file as well? ben (at) benbarnes.net

thank you

-ben