They actually have minimum requirements, if you know where to look 🙂

You can find them at the end of the ReadMe for each released version. Here’s the latest one, for example https://www.blackmagicdesign.com/support/readme/dc266500948b4cd1a990cf17a9e85771

Looks like 19.0.2 was the last version that supported 2 GB cards. Starting from 19.0.3 they…

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2GB VRAM is insufficient for Resolve to work properly, even for editing only. Aside from that, 1030 was quite weak even when it was new. You should aim for at least 4GB. The 255W PSU and small form factor are limiting you, so you have only two viable choices—GTX 1050Ti or GTX 1650. Gigabyte had both of them in a low-profile design with 4GB VRAM. 1…

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Most probably that’s multipass kicking in. Just wait until it finishes, it might take a long time. It might be a good idea to render the master in some HQ intermediate codec (ProRes, DNxHR), and then use the master file to encode the other formats.

Try to use a difference keyer in Fusion. You need to denoise your footage before keying, and you can combine it with the magic mask for better results. You probably will need some roto anyway, but mostly for the garbage mattes.

Hey, no big deal! I’m glad it helped.

Beware of bears and vodka!

If that’s the name of your source file, yes. You can safely delete anything in the caches folder, it will be re-created by Resolve when necessary.

I’m glad it worked for you. Oddly enough, sometimes the things which should not work theoretically, work practically, and vice versa 🙂 Maybe something changed in the latest versions, I think the last I tried that was in Resolve 12 or something.

To force Resolve to refresh the waveforms you can try to delete your cache files. Waveform data resides…

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You need to change the timecode before reconnecting the edit to that file. If you do that after, it will result in ‘media offline’. But you won’t be able to reconnect the edit made with 50fps proxy source to 25fps hi-res source, this is not possible. You need to have everything at the same frame rate first. If you want to reconnect, your hi-res…

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Your first mistake was not asking about the delivery specs, which is the first thing you should know before starting the edit. It is in your best interest.

The easiest solution would be to ask the client to provide the hi-res video with the same fps as the proxy file.

Now let’s try to find other solutions. Is it a slo-mo video (50fps conformed to…

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What are the color management settings of your Resolve project? You’re saying that the original camera footage is Rec.709/G2.4, but VFX considering it sGamut3.cine/sLog3. So I guess either you’re mistaken about the camera settings, or at some point you convert the camera footage from Rec.709/G2.4 to sGamut3.cine/sLog3.

In any case, the most…

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First of all, backup of your project, just in case. Just export it as a .drp file.

In the media pool, select everything and hit Ctrl | Cmd-X (Cut). Now that your media pool is empty, you can go to project settings and change the framerate, it will be unlocked. After adjusting the project settings, go back to the media pool and hit Ctrl | Cmd-V…

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Is your source clip in mp4 format by any chance? Switching hardware decoding might help. If it’s on, try to turn it off, and vice versa.

Also, while tracking it is better to monitor the tracker node, not media out. Drag the node into one of the viewers, or select it and press 1 or 2 for the left or right viewer.

@Shahid shahan

Based on the information you provided, it sounds like you’re using Chat GPT to generate long and absolutely useless generic answers in different threads.

I’d leave alone the changes introduced by the lens flare and concentrate just on making the clip look good and consistent with the previous/next clips on the timeline.

This happens because your master resolution has a different aspect ratio.