[Andreas Ahston]

Ok, great. Thanks. I’ve been using mpeg streamclip and premiere for that. I’ll check it out.

[Andreas Ahston]

That was a bit to technical for me.
What is 5D2RGB, what conversion are you referring to and what does ” It five some nice chroma filtering to help with it being 4:2:0″ mean?
Color grading is not my day-job so I’m not that familiar with the lingo.

Thanks.

Andreas

[Andreas Ahston]

Thanks 🙂

[Andreas Ahston]

I tried that.

[Andreas Ahston]

A small correction. Premiere does actually link the one, single file that I point to, to the original h264 file, as I want it to. It’s just that all the remaining files are relinked to the prores files that was my edit files. How do I do this in one batch?

[Andreas Ahston]

Thank you Steve, for your reply. I used a lower quality to save harddrive space, not processing power. But I guess i’d be easier to get a bigger harddrive. I’ll do that next time.

But now I still need to get this project through in the best possible way. I want to grade in color and I’ve tested the workflow, exporting xml from premiere to color. It works fine and I’m pretty sure that I managed to reconnect the edit to the original h264. I guess that must be just as well as converting to prores HQ? If I can live with the lag.

The only problem I see now, is that I’ve used the warp stabalizer in premiere for a lot of the shots. I’m thinking I should probably grade it first, then bring it back into premiere for the stabalizing. Any thoughts on this?

thank you very much for helping.

A

[Andreas Ahston]

Thank you. That was exactly what I wanted to hear 🙂