Alex Udell
1
Premiere Pro Coin
Forum Replies Created
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Does the content have to be local to the machine?
Is youtube an option?
check this out:
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Alex Udell
Editing, Motion Graphics, and Visual FX
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Examples: Retail Automotive Motion Graphics Spots
Example: Customer Facing Explainer Video
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Hi…
great feature for this…
in your sequence MARK IN and OUT around each area you want to export.
in the sequence menu choose: MAKE SUBSEQUENCE
a new sequence will be created in project panel containing ONLY that selection.
repeat this for all the different sections you want to make…
then you can batch export the subsequences from the project Panel through Adobe Media Encoder….
Hope that helps….
Alex Udell
Editing, Motion Graphics, and Visual FX
Let’s Connect on Linkedin
Examples: Retail Automotive Motion Graphics Spots
Example: Customer Facing Explainer Video
Example: Infotainment & Package editorial -
Hi…..
I think selection the clips in the sequence and choose copy
then in AE make a comp of matching specs to your edit sequence and choose paste.
that will bring over what you want….
you won’t have dynamic link…
but when you render from AE
in the output module make sure to enable “include project link”
this way if you right click and “edit original” in PPro it will take you back the the AE project and comp to make changes….
Alex Udell
Editing, Motion Graphics, and Visual FX
Let’s Connect on Linkedin
Examples: Retail Automotive Motion Graphics Spots
Example: Customer Facing Explainer Video
Example: Infotainment & Package editorial -
Jon…
that’s a really cool idea…
I use ISO’s regularly…But I never though of that as a solution to that problem!
Alex Udell
Editing, Motion Graphics, and Visual FX
Let’s Connect on Linkedin
Examples: Retail Automotive Motion Graphics Spots
Example: Customer Facing Explainer Video
Example: Infotainment & Package editorial -
If you grab the last version of Adobe Encore (CS6)…
in addition to having DVD authoring capabilites….
you could also create Flash menus and Marker functionality….
https://helpx.adobe.com/encore/using/exporting-projects-flash-format.html
I have seen this demonstrated…but not used it myself….
Also beware…that flash itself is getting a little long in the tooth…
But maybe this will help….
Alex Udell
Editing, Motion Graphics, and Visual FX
Let’s Connect on Linkedin
Examples: Retail Automotive Motion Graphics Spots
Example: Customer Facing Explainer Video
Example: Infotainment & Package editorial -
Hi Dan…
hmmmm…..
if you keep the bad quality video online…
bring in the better quality video…
put them both in a new sequence:
V2 = better video
V1 = bad videoalign v2 clip so that it visually corrects the timecode offset
you can use the timeline panel menu to access the start time of this layered sequence so that it matches the timecode of bad video if necessary)
load this layered sequence into your source viewer
in your destination timeline (a safe copy) where you will be replacing the bad quality edits
disable the first icon: “insert and overwrite as nests or individual clips” so that it appears white.
now you should be able to patch V2 (the good quality video) to sequence track V1
the info tab should give you some timecode info about that bad video timecode (which should match the timecode in the source viewer since you changed the start time as above) to help you find it to match it in your source viewer (which contains the layered sequence)
you can use the X (mark clip — fcp shortcut) to set the duration of the edit in the sequence…
find the matching in or out video in the source viewer (and mark it with I or O accordingly)
then do an overwrite edit to lay the V2 (good video) in as the replacement to the bad video on V1 of your destination sequence.
nothing else should be patched in the sequence (unless you need audio too)…
but that’s about the best process I can think of to do it….
hope that helps!
Alex Udell
Editing, Motion Graphics, and Visual FX
Let’s Connect on Linkedin
Examples: Retail Automotive Motion Graphics Spots
Example: Customer Facing Explainer Video
Example: Infotainment & Package editorial -
heh, heh, heh
Alex Udell
Editing, Motion Graphics, and Visual FX
Let’s Connect on Linkedin
Examples: Retail Automotive Motion Graphics Spots
Example: Customer Facing Explainer Video
Example: Infotainment & Package editorial -
right…
so what I’m saying is that if encoding settings are close to his source media in nature than his rendering settings…
that can explain why one is differing from the other….and why encoding might be faster…
if his rendering settings were identical to his encoding settings…the speed for each should be the same…
Alex Udell
Editing, Motion Graphics, and Visual FX
Let’s Connect on Linkedin
Examples: Retail Automotive Motion Graphics Spots
Example: Customer Facing Explainer Video
Example: Infotainment & Package editorial -
Hey Steve….
hmmmm….
what are the render settings for the sequence? (codec specifically) and how does that compare to your source media?
it may be in that codec translation or media scaling from the underlying source media to the timeline render format that the time increase occurs….
back in the days of homogenous codecs for sequence media and render media…this was much more predictable…
since PPro can take just about anything on any timeline….there’s a fair amount of comuptation that needs to take place in any timeline render if some front end consideration hasn’t taken place to source versus redner settings…
I don’t know for sure if I am right….BUT that’s my best guess…
Alex Udell
Editing, Motion Graphics, and Visual FX
Let’s Connect on Linkedin
Examples: Retail Automotive Motion Graphics Spots
Example: Customer Facing Explainer Video
Example: Infotainment & Package editorial -
No Sure….
I know that the marker panel can be very helpful in direct to marker navigation…
Alex Udell
Editing, Motion Graphics, and Visual FX
Let’s Connect on Linkedin
Examples: Retail Automotive Motion Graphics Spots
Example: Customer Facing Explainer Video
Example: Infotainment & Package editorial
