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Transferring.
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Regular ProRes 422. Not HQ. still overkill.
Shane
Little Frog Post
Read my blog, Little Frog in High Def -
Looks like I’m gonna have to pull through this project dealing with the 4444 – thanks for the advice, I know what you’re talking about now..
I noticed that if I mount video tracks on top of each other, the tracks on top make the render bar yellow – and when I take them off, they become green and easy to use. I’m guessing that’s Final Cut’s way of saying, “alright that’s enough tracks before I play back slow without rendering”.
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Playing back multiple streams of ProRes 444 takes a lot faster drives than you are using. That’s why you get the render bar.
Shane
Little Frog Post
Read my blog, Little Frog in High Def
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