Star Trek 2k?

[Stephen Smith]

Yeah, I’m a big fan of HISHE as well. I also think Star Trek was my favorite movie of last year. I think the lens flare made the Enterprise look real cool, it add a good energy to the movie. I liked the lens flares on Transformers as well. However, they were over kill and distracting in the 2nd on, I think I could go on about the 2nd Transformers but I’ll just say I love the HISHE version way better.

Stephen Smith
Utah Video Productions

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[Carlton Rahmani]

So there is an 8k. . .at least that is occasionally practiced. Thanks for filling me in. As for the press regarding production–and I don’t know why shooting anamorphic would get so much buzz–I acknowledge that editing is perhaps the most overlooked, in terms of popular attention, aspect of production. . .definitely the least in terms of the major talent needed to execute a film, the other two being director and DP. Probably why it didn’t even occur to me to check out IMDB.

[Walter Soyka]

[Carlton Rahmani] “So there is an 8k. . .at least that is occasionally practiced. Thanks for filling me in. As for the press regarding production–and I don’t know why shooting anamorphic would get so much buzz–I acknowledge that editing is perhaps the most overlooked, in terms of popular attention, aspect of production. . .definitely the least in terms of the major talent needed to execute a film, the other two being director and DP. Probably why it didn’t even occur to me to check out IMDB.”

Sorry, I thought you were asking about the finishing for Star Trek — the offline edit was done in HD on Avid Media Composer Adrenalines with DNxHD 36:

https://www.avid.com/US/about-avid/customer-stories/Star-Trek-A-New-View-from-the-Bridge

And they had some technical difficulties with the Adrenaline systems:

https://www.studiodaily.com/main/technique/craft/f/editing/Editing-Star-Trek_10978.html

Walter Soyka
Principal & Designer at Keen Live
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