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Activity Forums Apple Final Cut Pro Legacy ProRes HQ dropping frames on a monster Mac

  • Aaron Neitz

    November 21, 2007 at 3:51 am

    As an aside…. let’s be honest, the amount of Kona presets for capture and output are…. very definitive. It’s almost too easy to hit 8 bit when you thought 10 bit and things go to the birds.

    I’ve always been under the assumption that Digibeta is an 8 bit recording format, but it can transport signal via 10 bit over SDI. Correct? So even on 8 bit projects I would select 10bit output. It’s always looked really, really good.

  • Chris Borjis

    November 21, 2007 at 7:10 pm

    [CharlieX] “I’ve always been under the assumption that Digibeta is an 8 bit recording format, but it can transport signal via 10 bit over SDI. Correct? So even on 8 bit projects I would select 10bit output. It’s always looked really, really good.”

    Digibeta is 10-bit, though you could digitize and layback as 8-bit.

    Blackmagic Design made a mistake on their initial easy setups and had a few prores setups set for 8-bit. That got me into trouble. 8-bit should not be an option for ProRes settings of any kind if its a 10-bit only codec. (it should be grayed out)

  • Gary Adcock

    November 22, 2007 at 1:35 am

    [Borjis] “Digibeta is 10-bit, though you could digitize and layback as 8-bit. “

    No incamera recording on tape is anything other than 8bit.

    While the Tape format is 10bit- no camera was ever able to record that bit depth.
    That was marketing hype.

    gary adcock
    Studio37
    HD & Film Consultation
    Post and Production Workflows
    Inside look at the IoHD

  • Sean Oneil

    November 22, 2007 at 7:31 am

    [gary adcock] “While the Tape format is 10bit- no camera was ever able to record that bit depth.
    That was marketing hype.”

    What about films transferred to digibeta?

  • Gary Adcock

    November 22, 2007 at 1:16 pm

    [Sean ONeil] “What about films transferred to digibeta? “

    that would depend on when and where,

    I have seen a number of 8bit betas layoffs from older Telecine’s and also from some of the less known brands,
    while this is not as much of an issue in LA, it is much more common in the PAL universe.

    gary adcock
    Studio37
    HD & Film Consultation
    Post and Production Workflows
    Inside look at the IoHD

  • Jeremy Garchow

    November 22, 2007 at 6:08 pm

    [gary adcock] “incamera”

    Right, but if MASTER original 10bit material to dBeta it will keep that bit depth.

    Jeremy

  • Gary Adcock

    November 23, 2007 at 12:01 am

    [JeremyG] “Right, but if MASTER original 10bit material to dBeta it will keep that bit depth”

    Jeremy
    I never trust anything without testing on a real scope. I found some older avids never did output 10bit via sdi even though all of the times lines and processing was in 10bit, the baseband on the pipe was always 8bit out.

    gary adcock
    Studio37
    HD & Film Consultation
    Post and Production Workflows
    Inside look at the IoHD

  • Jeremy Garchow

    November 23, 2007 at 2:50 am

    Avid had hardware issues? No….

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