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Premiere Pro CC it is then?
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Time will certainly tell. As previously stated I have had issues with CC. My internet provider? Maybe but I doubt it. As far as support goes I will admit that Apple charges you to put yo through hell. Adobe does t for free.
Tim
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If anyone closes shop and needs to come back and reedit something,they pay a one month subscription fee. And they are done. Does that really kill your business ? Lets say its double by then. 60 bucks one month. You seriously can’t build that into the cost of a client reedit?
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[Andy Field] “You seriously can’t build that into the cost of a client reedit?”
It’s not about the money, but it’s about the money.
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But it’s not Jeremy. Look at this way, when Apple launched X and EOL’d 7, my copy of 7 still worked.
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Exactly! And what if someone like Google or Apple buy Adobe for patents. Then kill a few programs off. Will you ever be able to open your work again?
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[Sandeep Sajeev] “But it’s not Jeremy. Look at this way, when Apple launched X and EOL’d 7, my copy of 7 still worked.”
CS6 will still work, too. Won’t it?
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Sure. The issue is what happens down the line.
I had to revisit an old Nike spot I cut a couple of years ago last week, and I opened up FCP7 and made the changes the agency needed. This is the type of thing that concerns me.
There’s always XML, but again we’ll have to make the assumption that all that info will translate flawlessly into the newer version of the software. And we saw how well that worked with 7 and X.
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[Shawn Miller] “enjoying it but I’m also glad I have a copy of CS5.5 to ‘fall back on’.”
Right! I am definitely holding on to my previous licenses… just in case. 🙂
“Me too. But, I’m not a broken up by all of this as perhaps I should be. Oddly, this reminds me more of the religious practice of tithing, than it does rental.
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[Jeremy Garchow] “CS6 will still work, too. Won’t it?”
Yes, but what if someone who doesn’t have any CS products starts using Premiere, and then at some point it goes in a direction they don’t like? They’re going to have to keep paying Adobe to access their projects while they look for something else…
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“Up until here, we still have enough track to stop the locomotive before it plunges into the ravine… But after this windmill it’s the future or bust.” -
[Jeremy Garchow] “It’s not about the money, but it’s about the money.”
It’s not about the money. It’s about who controls access to your digital property.
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David Lawrence
art~media~design~research
propaganda.com
publicmattersgroup.com
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