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Premiere Pro CC 7.01 Update
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My favorite audio mixing app is Nuendo for numerous reasons but a big one is that it’s so flexible I can setup it up however I want. I think that’s a good approach for Adobe here. Give people what they want and more people will adopt PPro.
Robert Brown
Editor/VFX/Colorist – FCP, Smoke, Quantel Pablo, After Effects, 3DS MAX, Premiere Prohttps://vimeo.com/user3987510/videos
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Hey Chris,
Yes the multi-camera bug was address in 7.0.1.
Unfortunately the AME QuickTime DV 23.976 didn’t make it into 7.0.1 but we are working on it.
Peter Garaway
Adobe
Premiere Pro -
Thanks Peter, it’s good to hear it’s in the pipeline (dv fix)
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Don’t want to hijack this thread but I thought I should let you know Chris what the Engineer looking at this said. You can PM if you have questions.
This is in response to your 23.98 DV codec quicktime files.
This is intentional. DV 24p really is 29.97 fps, not 23.976. Or rather, it’s both. 3:2 or 2:3:3:2 (Premiere/AME does the latter) pulldown is added to bring the 23.976fps material up to 29.97. Advanced programs like Premiere, After Effects, AME, etc can detect and optionally remove the pulldown, turning the material back into 24 fps progressive video. In Premiere/AME, you can keep or remove the pulldown in the Interpret Footage dialog using the “Remove 24p DV Pulldown” checkbox. If the box is checked, the material will be interpreted as progressive 23.976. Simpler programs such as QuickTime Player that don’t understand 24p pulldown will interpret the material as 29.97.
Peter Garaway
Adobe
Premiere Pro -
Thanks for the info, but there are times that us folks require it to
show itself as 23.98 pulldown or no.A very big community like Pro-Tools users, NEEDS this feature
for 23.98 native sessions with picture.LOTS of us have dv boxes plugged in via firewire to our Pro Tools systems to send picture
to a monitor. The DV file must match the pro tools session.This is important. Currently only apple compressor can do it correctly.
I’d still like AME to do it….at the very least there *should* be
an option to enable/disable the pull down to get 23.98 -
Chris, I don’t understand your workflow but would like to not hijack this thread. Can we take this back to your original CC complaint here? https://forums.creativecow.net/thread/351/533 ? Tell me more about what it is you’re doing.
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Well, it’s there now. Swear it wasn’t working this afternoon. I will credit the update and pretend I was doing everything right.
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The new fixes are welcome and a sure sign that Adobe is listening to their user base. I had a question regarding the improved match frame capabilities, however. From the official site:
“The Match Frame feature now lets you match frames from the Source monitor to the source files of a sequence”
What keystroke accomplishes this? I haven’t found it yet, nor have I found anything in the pulldown menu to perform it. Right clicking displays nothing about match framing in that menu, either. And just pressing the “F” button while parked in the source window does nothing.
Any ideas?
With this new update, about the only other major thing I’m missing from the old FCP 7 days is displaying timecodes from multiple sources in the program window (unless I missed that one).
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Hi David,
This feature is if you have a nested sequence and you hit ‘F’ to match the frame this will show the match frame of the nested sequence in the Source Monitor. If you hit the ‘F’ key again this will then show you the source file.
Give it a try. It’s pretty cool!
Peter Garaway
Adobe
Premiere Pro -
Huge applause here! Delighted! But…do not stop! : )
Will Eccleston
Kinetiscape Films
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