Activity › Forums › Adobe Premiere Pro › OMF workflow for nested sequences. Has anyone found an automated way?
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OMF workflow for nested sequences. Has anyone found an automated way?
Jessica Lawheed replied 7 years, 4 months ago 8 Members · 16 Replies
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Sean Scarfo
February 14, 2014 at 6:40 pmHey Everyone,
looks like a ‘found’ a way to make it work.
While sending to audition directly ‘Doesn’t work’ as for some reason it only see’s the top most audio level, if I manually export a FCP XML and then import it into audition, it DOES see all the audio components. Once I save the Audition session I can then export OMF.
Also, from what a friend of mine has tested is exporting the FCP XML and sending into Davanci and then exporting AAF from there.
Hope this helps someone!
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David Harris
April 10, 2014 at 10:32 pmI’ve been dealing with this problem on a 30 minute long project with tons of multi-cam, 6-channel audio nested sequences. I was surprised to find that my OMF’s opened perfectly in Protools if I selected the “encapsulate audio” option with short handles (to keep the OMF file size sub 2GB). Based on this, my suggested work around would be – use timecode to divvy up your sequences into sections that fit below the 2GB limit – and then stitch them back together in Protools.
Far from ideal, but faster than conforming un-nested footage back to the nested edits.
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Garnet Campbell
October 21, 2014 at 2:52 amHey this is great news, I’m going to give it a shot. I have a feature with 113 nested sequences.
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Romina Rey
August 18, 2015 at 12:53 amHi Shane,
Just started working on Premiere and encountered this problem when trying to export for Sound Mixer.
Is there an alternative method to achieve multi-cam editing with three different audio tracks other than nesting?Don’t want to start off using bad habits 😉
Thanks!
Romina -
Shane Ross
August 18, 2015 at 1:11 amMake multiclips. I’m not entirely sure how Premiere does it, but in Avid you group all of your audio with all of your video, and you have a multiclip with one video track, that you can switch angles, and then multiple audio tracks…from 2-whatever. I work with generally 6-10 tracks of audio. And then put ALL audio tracks on the timeline.
If you synch up the groups via a separate timeline…then don’t put that in the SOURCE window…open it up and then copy and paste the sections you want.
Shane
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Jessica Lawheed
January 10, 2019 at 10:21 pmOH MY GAWD thank you for this. You have saved me SO much time.
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