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Activity Forums Adobe Premiere Pro OMF workflow for nested sequences. Has anyone found an automated way?

  • Sean Scarfo

    February 14, 2014 at 6:40 pm

    Hey Everyone,

    looks like a ‘found’ a way to make it work.

    While sending to audition directly ‘Doesn’t work’ as for some reason it only see’s the top most audio level, if I manually export a FCP XML and then import it into audition, it DOES see all the audio components. Once I save the Audition session I can then export OMF.

    Also, from what a friend of mine has tested is exporting the FCP XML and sending into Davanci and then exporting AAF from there.

    Hope this helps someone!

  • David Harris

    April 10, 2014 at 10:32 pm

    I’ve been dealing with this problem on a 30 minute long project with tons of multi-cam, 6-channel audio nested sequences. I was surprised to find that my OMF’s opened perfectly in Protools if I selected the “encapsulate audio” option with short handles (to keep the OMF file size sub 2GB). Based on this, my suggested work around would be – use timecode to divvy up your sequences into sections that fit below the 2GB limit – and then stitch them back together in Protools.

    Far from ideal, but faster than conforming un-nested footage back to the nested edits.

  • Garnet Campbell

    October 21, 2014 at 2:52 am

    Hey this is great news, I’m going to give it a shot. I have a feature with 113 nested sequences.

  • Romina Rey

    August 18, 2015 at 12:53 am

    Hi Shane,

    Just started working on Premiere and encountered this problem when trying to export for Sound Mixer.
    Is there an alternative method to achieve multi-cam editing with three different audio tracks other than nesting?

    Don’t want to start off using bad habits 😉

    Thanks!
    Romina

  • Shane Ross

    August 18, 2015 at 1:11 am

    Make multiclips. I’m not entirely sure how Premiere does it, but in Avid you group all of your audio with all of your video, and you have a multiclip with one video track, that you can switch angles, and then multiple audio tracks…from 2-whatever. I work with generally 6-10 tracks of audio. And then put ALL audio tracks on the timeline.

    If you synch up the groups via a separate timeline…then don’t put that in the SOURCE window…open it up and then copy and paste the sections you want.

    Shane
    Little Frog Post
    Read my blog, Little Frog in High Def

  • Jessica Lawheed

    January 10, 2019 at 10:21 pm

    OH MY GAWD thank you for this. You have saved me SO much time.

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