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Craig Alan
December 5, 2013 at 6:20 amI only use the mix pre-Ds and dynamic mikes for beginner students in a crowded multi-shoot environment or for interviews. With more advanced and after school stuff we are using mostly Audio-Technica AT4053b Hypercardioid Condenser Microphones and lavs. Though I do like the shure vocal mike.
In any case yes we are recording to Canon HV40 Camcorders and Panasonic AG-HPX250PJs. Or sometimes a KIPro.
On the Panasonics I aim for -12. On the Canon’s I aim above -12 but enough headroom to not clip.
I think if you shoot in a sound controlled environment you can record at lower levels. However, I do have a recorder on my wish list.
I will do some experimenting with what you are suggesting about boosting in post. However I use FCP X (after FCP legacy for a few years) and not a dedicated sound editing program.
I have heard the opposite advice from audio pros about level being as high as possible without clipping. But I think the cleaner the sound and the less unwanted b.g. noise the more you can boost.
Mac Pro, macbook pro, Imacs (i7); Camcorders: Panasonic AG-HPX170/AG-HPX250P, Canon HV30/40, Sony Z7U, VX2000, PD170; FCP 6 certified; write professionally for a variety of media; teach video production in L.A.
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