Mistake to purchase HDV camera?

[Frank Tucker]

I shoot with a Canon XLH1 and am very pleased with the quality of the video. Since the XHA1 is based on the same core technology as the XLH1, I would guess the quality is comparable.

One of the benefits of the Canon XLH1 and the XHG1 is the inclusion of the HD-SDI output jack-pack. This allows for the capture and output of true uncompressed HD 4:2:2 in stunning clarity. This is a rather expensive option but will provide this capability if your needs grow to a true HD product. The jack-packs also provide a professional means of connecting multiple cameras together for multi-camera shoots.

The advantage to taking the Jump to HDV now (based on my experience with the Canon cameras) is that you can shoot in HD 16×9 format and output in either SD 16×9 or HD 16×9 as clients requirements change. You will also be able to re-release your SD (captured initially as HDV) footage later as HD if needed.

The real issue is taking advantage of the 16×9 format as widescreen is

[P. j. Severtson]

I started out with the same conundrum I was working as a video camera operator but had no camera. The technology was changing faster than I could keep up. This is even more true today. HDV is a good format, but does have its limitations, as does any format. The technology is changing even more rapidly.

So I looked around at what my videographer friends did not have and saw another viewpoint. Most did not have any lighting and grip gear beyond a small interview set; three lights. A lot more than that is needed for a real production and event venues are not lit for the video camera.

Let’s see: Should I invest in a camera that looses its value rapidly? Or should I invest in lighting and grip equipment that grows in value and lasts?

That was seven years ago. Although I have kept working as a camera operator, I now have more than $30,000 in lighting, sound, and camera auxiliary gear that grows in value and gets me work as a lighting technician as well. Find a need and fill it.

I have now partnered with another videographer who has a Sony F-900 and 3 JVC HD100s. Between the two of us, we can do a feature, commercials, etc.

Just another view point. Two can grow faster than one.

Good luck,

P. J.