mic level into camera

[Jordan Wolf]

You are correct, sir. 🙂

I thought I added it in, but I guess I forgot. I was going to put in how you could adjust the AF OUT on the receivers to compensate.

Wolf
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[Jordan Wolf]

Could you give us the brand, model, etc. of your radio mic? A link to the product’s webpage would be helpful.

They would let us see what settings you have at your disposal and if/how they could be used in your situation.

Wolf
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[Robin Probyn]

Hi there

Its a bit of a cheap one… but I use it with a Sanken Cos 11.. and it works well enough..

Sony UTX-B1 trans/UTX-P1 receiver …

Also used the schenhiesr (never could spell that) evolution one .. that also was very high,like the Sony.

There is attenuator function on the transmitter… would that be ok quality wise.. 6 db or 3bd?

I have a more expensive radio mic.. but dont use that direct into camera,as the receiver is much heavier..
The Sony is good as I can just clip it onto the camera cover..

Thanks

[Jordan Wolf]

On page 18 of the manual (click here to download it), it mentions in step 10 that you can set the audio output of the transmitter to either -28dBm or -58dBm. You should set your gear to -28dBm for Line Level inputs and to -58dBm for Mic Level inputs.

Wolf
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[Robin Probyn]

Thanks but that is for the URX-R1 rack tuner… I have the portable diversity tuner URX-P1