Major Gamma / Luma Shift Resolve -> Avid DNxHD MXF Media -> Avid

[Marc Wielage]

Wow, this question keeps coming back. Export your material with 5 seconds of SMPTE bars and 5 seconds of 10-step grayscale at the head, then look at the renders on a scope (and a color-managed display). See how that looks.

I have worked with both DNxHD 220X (for 29.97 broadcast shows) and DNxHD 176X (23.98 delivery), and it actually goes out pretty much identically to what I see in Resolve. Bring the file back in and A/B both in the same timeline on the same scope and monitor.

[Robert Ober]

[Marc Wielage] “Wow, this question keeps coming back. Export your material with 5 seconds of SMPTE bars and 5 seconds of 10-step grayscale at the head, then look at the renders on a scope (and a color-managed display). See how that looks. “

Uh, Marc, he said he fixed it.

Decaf? 🙂