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Important Workflow Questions.
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[Alexander Higgins] “the middle man in this situation and in a lot of ways the sacrificial goat, I have to figure out why things are not fast and efficient, but make everyone happy with the price point”
Have they trotted out the “hey, my 8 year-old-nephew can edit this on his *new-iPad* so why can’t you do it”? Run for your life.
jPo
You mean “Old Ben”? Ben Kenobi?
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It’s not out yet but have you had a look at the Baselight plugin that is coming for Nuke?
Understand the real time element but as Nuke does seem more of the tool of the job and you know it, it could be a helping factor.
https://www.filmlight.ltd.uk/products/editions/range_ed/index_ed.php#BaselightNUKE
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Hey Thanks for all the IMPUT, I figured out the multichanel in Resolve, so in whatever new version, when you add a MATTE it has multiple outputs on the side, each one is a chanel. IT WORKS!!
Problem is there is no way to go R or G or B or A to see the matte in a channel in that node.. but I am going to play with it some more and see what I can figure out.
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Does it work with OpenEXR? or have you only tested RGB dpx?
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It works on both DPX and EXR.. But it has 4 outputs, which I thought was like LUMA R G B but its not.. Its like R R G B or something, I don’t know why, Im still playing with it.
I haven’t tried an EXR with a lot of Mattes, but I think it will still only see RGB..
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Wouldn’t it be RGB/ALPHA?
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Thats what I thought at first, but we brought in files that didn’t have an Alpha. Just RGB. It might be on clips that Have an Alpha, but not sure yet.
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https://forums.creativecow.net/thread/277/7588#7632
Dwaine Maggart
Blackmagic Design DaVinci Support -
Thanks Dwaine. That clears it up.
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I bet does not really matter how you pimp computer 20+ streams of material at once will kill it in some point of time. as stated before tho whole workflow needs to be re organized.
calibrating a lot of monitors is not space and scifi any more but it will cost you.
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Margus
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