could we please just take a moment here.

[Aindreas Gallagher]

ah God no – I remember that alright. Back in the viking era like.

but on the other hand he doesn’t bring it up particularly often, and it’s not like his sign off is classifieds ad for editing training wha? 🙂

https://vimeo.com/user1590967/videos http://www.ogallchoir.net promo producer/editor.grading/motion graphics

[Aindreas Gallagher]

April third, three in the afternoon, after a light lunch.

https://vimeo.com/user1590967/videos http://www.ogallchoir.net promo producer/editor.grading/motion graphics

[David Lawrence]

[Aindreas Gallagher] “it’s just outright cool, it really is.”

Aindreas, Tim, and gentlemen et al. –

Thank you. Consider this my virtual bow/shiteatinggrinsuperbowlfootballspike. I’m humbled, proud, and appreciative of your comments. 😀

_______________________
David Lawrence
art~media~design~research
propaganda.com
publicmattersgroup.com
https://lnkd.in/Cfz92F
facebook.com/dlawrence
twitter.com/dhl
vimeo.com/dlawrence/albums

[Aindreas Gallagher]

that’s choice.

https://vimeo.com/user1590967/videos http://www.ogallchoir.net promo producer/editor.grading/motion graphics

[Douglas K. dempsey]

Yes, this history was discussed by David back when FCPX was released and this forum began.

But the actual video he released here is priceless; we haven’t see Randy Ubilos or others presenting the evolution of NLEs like this, AFAIK.

I grew up visiting Walter Murch at Zoetrope, post “The Conversation,” to discuss editing “old school.” I ran an upright Moviola, a flatbed Moviola, a Steenbeck, a KEM. I began seeing still images of EditDroid. Then seemingly out of nowhere I was plunked down in front of an Avid.

So this connection to David’s pioneering work is super-groovy! This is the kind of behind-the-scenes history I treasure!

Doug D