Activity › Forums › Apple Final Cut Pro Legacy › Capturing DVCPRO50 vs 10-bit Uncompressed
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Capturing DVCPRO50 vs 10-bit Uncompressed
Rafael Amador replied 18 years, 9 months ago 7 Members · 27 Replies
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Jeremy Garchow
November 24, 2007 at 4:59 pmOkay, so that’d be 10-bit, 8-bit, ProRes, ProResHQ via SDI, then dv50 via firewire. Any reason to do dv50 via SDI to see what that does or is that silly?
Cool.
Jeremy
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Graeme Nattress
November 24, 2007 at 5:01 pmDV50 over SDI would be a double compression, so probably not worth doing.
Graeme
– http://www.nattress.com – Film Effects and Standards Conversion for FCP
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Jeremy Garchow
December 3, 2007 at 8:54 pmGraeme-
Still interested? I have a group of captures for you.
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Graeme Nattress
December 3, 2007 at 10:48 pmSure – drop me an email graeme@nattress.com
Graeme
– http://www.nattress.com – Film Effects and Standards Conversion for FCP
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Rafael Amador
December 4, 2007 at 4:19 amGraeme,
i guess with ProRes should be necessary two make a double set of tests: One with the 444 Chroma filter IN, one OFF. Right?
Jeremy,
Sorry I started all this. But with so many new things since Graeme made his investigation two years ago, I think this research is very interesting. I wish I could give you two a hand. Good opportunity for learning.
RafaelPPC G5 2x2Gh 4GbRAM/BlackMagic SD/PMBP 17″Core2Duo 4GbRAM
JVC DTV-17″/FCS2/AE CS3/COMBUSTION/SHAKE -
Jeremy Garchow
December 4, 2007 at 4:28 am[rafalaos] “Sorry I started all this. But with so many new things since Graeme made his investigation two years ago, I think this research is very interesting.”
No reason to apologize. This stuff is all interesting to me too.
Jeremy
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Rafael Amador
December 4, 2007 at 12:25 pmFor my would be a privilege to collaborate with Graeme and with you.
RafaelPPC G5 2x2Gh 4GbRAM/BlackMagic SD/PMBP 17″Core2Duo 4GbRAM
JVC DTV-17″/FCS2/AE CS3/COMBUSTION/SHAKE
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