Activity › Forums › Panasonic Cameras › Best codec for a workflow between PC and Mac?
-
Best codec for a workflow between PC and Mac?
Noah Kadner replied 16 years, 6 months ago 3 Members · 15 Replies
-
Shawn Whiting
November 12, 2009 at 9:42 amhahaha thanks for the input Gord, I think I will have to sit down with my friend and see what we can work out and run some tests.
As far as codecs you know that can withstand the most re-encoding, which would you recommend? Doesn’t matter if their mac or PC only, just want to know what codecs can stand the most wear and tear.
-
Noah Kadner
November 12, 2009 at 2:44 pmUncompressed is the only codec that will stand many generations of re-encoding without adding noise- because there is no compression.
Noah
Check out my book: RED: The Ultimate Guide to Using the Revolutionary Camera! Unlock the secrets of 24p, HD and Final Cut Studio.
Call Box Training now featuring the Sony EX1 Guidebook, Panasonic HVX200, Canon EOS 5D Mark II, Canon 7D, and Panasonic DVX100. -
Shawn Whiting
November 12, 2009 at 7:22 pmright, but are all the lossy codecs equal at handling re-encoding or might some codecs stand up better than others?
-
Shawn Whiting
November 14, 2009 at 9:23 amAnyone on the question of what lossy codecs can stand the most wear and tear?
-
Noah Kadner
November 15, 2009 at 8:01 pmTest them for yourself please- it’s your eyes that need to be satisfied. And all of those codecs are available for demos. Personally as I said, ProRes is fine for any sort of workflow, especially the 4444 version. You go beyond that codec’s capabilities and you should be doing everything uncompressed.
Noah
Check out my book: RED: The Ultimate Guide to Using the Revolutionary Camera! Unlock the secrets of 24p, HD and Final Cut Studio.
Call Box Training now featuring the Sony EX1 Guidebook, Panasonic HVX200, Canon EOS 5D Mark II, Canon 7D, and Panasonic DVX100.
Reply to this Discussion! Login or Sign Up