Creative Communities of the World Forums

The peer to peer support community for media production professionals.

Activity Forums Creative Community Conversations BBC “Sherlock Holmes”

  • Scott Witthaus

    July 20, 2014 at 11:51 pm

    I like the fact that Adobe guys are here defending their turf!

    Scott Witthaus
    Senior Editor/Post Production Supervisor
    1708 Inc./Editorial
    Professor, VCU Brandcenter

  • Shane Ross

    July 21, 2014 at 2:34 am

    Series 1 was done in 2010.

    https://www.imdb.com/title/tt1475582/episodes?year=2010

    Series 2 in 2012,

    https://www.imdb.com/title/tt1475582/episodes?year=2012&ref_=tt_eps_yr_2012

    Series 3 was shot and edited in 2013…aired in Jan 2014

    https://www.imdb.com/title/tt1475582/episodes?year=2014

    But yes, edited on Avid. But that’s besides the point…it wasn’t the NLE that made the series great, it was the people behind the lens and at the edit desk. And that tilt-shift effect is more commonly done in camera, although plugins are available.

    Shane
    Little Frog Post
    Read my blog, Little Frog in High Def

  • Dave Gage

    July 21, 2014 at 4:22 am

    [Shane Ross] “And that tilt-shift effect is more commonly done in camera, although plugins are available.”

    I don’t make my living editing, so this is the first I’ve heard of the tilt-shift effect although I had seen the Miniaturize filter before. Interesting how it’s done with the camera. I found this to explain-
    https://en.wikipedia.org/wiki/Tilt-shift_photography
    It really does create the sense of miniaturizing and reminds me of model trains. Cool effect, but if I ever see it again, I will just think of this BBC series.

    [Shane Ross] “But that’s besides the point…it wasn’t the NLE that made the series great, it was the people behind the lens and at the edit desk.”
    Clearly. I just finished watching the 3rd Season episode 1 again, this time with my kids. I’ve been describing this series to friends that haven’t seen it and the word that always comes to mind is “brilliant”. I can’t seem find anything I would have liked to see done differently. When I watched it for the first time I thought the lead actor Benedict looked kinda young for the role with his boyish face, but his acting was so good, I got used to it. It will be tough seeing Robert Downey Jr. in this role again.

    My only disappoint with this series is that they can’t seem to get everyone’s schedule to sync up to make Season 4.

  • Craig Alan

    July 21, 2014 at 5:32 am

    this link provides a nice overview

    https://vimeo.com/videoschool/lesson/104/tilt-shift

    Mac Pro, macbook pro, Imacs (i7); Canon 5D Mark III/70D, Panasonic AG-HPX170/AG-HPX250P, Canon HV40, Sony Z7U/VX2000/PD170; FCP 6 certified; FCP X write professionally for a variety of media; teach video production in L.A.

  • Gary Huff

    July 21, 2014 at 12:57 pm

    [Dennis Radeke] “If you search for tutorials for tilt-shift with After Effects and Photoshop, you will see a bunch.”

    Yes, I know how to do it in post. So far, it’s all been done in-camera when I have done it.

  • Walter Soyka

    July 21, 2014 at 2:30 pm

    [Gary Huff] “I would be interested to do if that was a post effect or in-camera with a tilt-shift lens.”

    I think it’s a post effect, at least on the Thames shot 5s in. Focus falls off identically over both the London Eye and Westminster, but in real life they’re separated by the river.

    I’m having a hard time conceiving a physical focal plane that would allow this.

    Walter Soyka
    Designer & Mad Scientist at Keen Live [link]
    Motion Graphics, Widescreen Events, Presentation Design, and Consulting
    @keenlive   |   RenderBreak [blog]   |   Profile [LinkedIn]

  • Gary Huff

    July 21, 2014 at 4:31 pm

    [Walter Soyka]
    I think it’s a post effect, at least on the Thames shot 5s in. Focus falls off identically over both the London Eye and Westminster, but in real life they’re separated by the river.”

    Good eye.

  • Richard Herd

    July 21, 2014 at 6:45 pm

    https://en.wikipedia.org/wiki/Scheimpflug_principle

    I was fortunate to play with a Scheimpflug camera because one of clients is a photography guru. Amazing how the focus plane is not parallel to the film plane. His camera was 4×5 and was technically capable of attaching a film/video sensor but the cost was prohibitive. I think the rack focus look would be amazing.

    edited out a type-o

  • Dave Gage

    July 21, 2014 at 9:06 pm

    [Craig Alan] “this link provides a nice overview

    https://vimeo.com/videoschool/lesson/104/tilt-shift

    Very Nice, thanks for posting it.

    Dave

  • Mark Suszko

    July 22, 2014 at 4:08 pm

    crumple-pop sells the shrink-ray plug in for fcpx and recently had it on sale where you could name your pricefor the download. I got mine for 2 bucks.

Page 2 of 3

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy