AE cs5.5 color management 5D Mark II issue

[Javier Gonzalez]

This makes all the sense, thank you very much and it also matches with others saying that linear space is good for compositing and VFX but not that needed for color grading

great, so i will go back to Non-Linear in REC709 working space and 32 bits in AE

i wanted to use universal print density working space in case i go to cinema in future, but it doesnt seem to work well in non-linear mode so i guess i will go to REC709 as i read there are some LUTs that potentially allow to go from REC709 to the Cinema Log spaces in case thats needed in future, any opinion about this? (setting working space REC709 as opposed to non-linear universal density print in AE if thats possible, im using Canon 5D Mark II native non transcoded footage)

thank you very much 🙂