-
Adobe NAB Sneak Peeks
-
The press release mentions that the Coen brothers are cutting their next feature on Premiere Pro.
David
AllinOneFilms.com -
It’s been so long since I’ve heard anyone around here saying “yay” to much of anything. 🙂 Must admit, I’m very excited about this.
Transcript integration through Story is HUGE for doc work. Hope it works as well as they demo it.
I’m hoping they have audio volume key maps like in 7 and X. But if not, the clip mixer could work nicely.
Looks like there are a bunch of ex-FCP “classic” engineers now at Adobe furiously bringing it up to date. Hope it’s as good as the tease makes it out to be. Still some missing features for me that I’ll keep griping about (no find in timeline, built in 3-way cc is just plain weirdness, wanna gotta haveta open multiple projects)
I feel like I could cut something on it. Can’t wait to “sync” my fingers into it. Yuk Yuk… oh hell, it’s late.
Michael Garber
5th Wall – a post production company
Blog: GARBERSHOP -
If by Cold Mountain Moment you mean “the film with a hugely impractical workflow requiring the massive efforts of an international team, a workflow so bizarrely complicated that it took an entire book to explain how they crawled over the software’s glaring shortcomings,” then, well, we’ll have to wait and see. LOL
But probably not. Joel & Ethan’s film may be analogous in that it’s the first high-profile feature cut by an A-list director(s), but I predict that the workflow will be so much smoother as to be not even vaguely comparable to that previous ordeal. We may even need to start referring to “The Coen Moment.” Maybe “The ‘Premiere Pro Abides’ Moment.”
-
Does the XAVC support include 4K?
Steve Connor
There’s nothing we can’t argue about on the FCPX COW Forum
-
Nope. I meant a noospherical game changer…a cataclysmic paradigm torque that blows the frontal cortex off the mincing minions…a sublime moment when the teeter totters, awe descends, and the great eye mote blinks and knows the world anew. In other words, a delusional fugue that the marketing types love, and the easily impressed can ride when it suits their cult identification, and denigrate when it doesn’t.
David
AllinOneFilms.com -
Hmmmm….
Steve Connor
There’s nothing we can’t argue about on the FCPX COW Forum
-
Nothing new on scopes (!) but they have added audio loudness monitoring.
-
Some interesting things here. I’ve already made my move to FCP X, but I like to see innovation across all video editing products.
For me the most interesting things would be:
-Story (but only if I can easily load interview transcripts and have it automatically sync with the video with minimal user input)
-Loudness meters (seems like it would be easy enough for every editing program to have this, but good for Adobe for making it actually happen)
-Project Browsing (opening one project at a time was a deal breaker for me going with Premiere, however I wonder how well it will really work)I can understand how some people like the audio mixer (especially coupled with a desktop control surface). But for me, I’ve found I like fewer keyframes and don’t like to “ride” levels. In FCP7 I rarely used the mixer anyways and preferred manual keyframing.
-
Loudness meters is great but I really hope they deliver on the SCOPES as well. This is vital for grading, finishing and mastering.
-
[Brett Sherman] “-Story (but only if I can easily load interview transcripts and have it automatically sync with the video with minimal user input)”
In theory that would step on patents by Nexidia (Avid ScriptSync, PhraseFind). So they would have to do it using a method that wouldn’t violate the patent.
– Oliver
Oliver Peters Post Production Services, LLC
Orlando, FL
http://www.oliverpeters.com
Reply to this Discussion! Login or Sign Up