Activity › Forums › Creative Community Conversations › A really smooth jump to PP CS6…
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Tim Wilson
May 10, 2012 at 8:55 amThree words:
Barn.
Door.
Wipe.
Tim Wilson
Associate Publisher, Editor-in-Chief
Creative COW Magazine
Twitter: timdoubleyou -
Aindreas Gallagher
May 10, 2012 at 9:27 amHi there – just curious, what are the hardware configurations GPU stuff you’re running it on?
https://vimeo.com/user1590967/videos
http://www.ogallchoir.net
promo producer/editor.grading/motion graphics -
Chris Harlan
May 10, 2012 at 9:42 am[Greg Andonian] “Someone in the Premiere Pro forum recommended these transitions a while back and I thought they were pretty good, especially “impact flash”. And they’re free, which is really cool. “
Well, thank you, sir.
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Chris Harlan
May 10, 2012 at 9:43 am[David Lawrence] “I’m actually quite partial to the cross zoom effect. It’s useful!
“Actually, me too. That thing can be a nice little problem solver when it wants to be.
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Neil Sadwelkar
May 10, 2012 at 10:20 amHaving left Avid MC a decade ago, like many editors, I had grown comfortable with FCP 7. After FCP X was released I bought it. Then I took a trial of PPro 5, and more recently PPro 6. Even sat through demos at NAB last month.
I think, if you’re waiting for FCP 7 to evolve and become FCP 8, that ain’t going to happen. From Apple at least. But PPro and MC 6 are moving in that direction. They are both the ‘next version of FCP 7’. And they will evolve and get better in that direction.
FCP X is a whole new app, a whole new way of working. Lots of things that we need FCP to do (film editing with keycode, cut list support for one) FCP X will probably never do.
But if you need to quickly put together a set of disparate scenes like in a docu together, quickly classify material without making subclips and bins, to tackle the usual colour jumps, camera shake, and turn out a result and publish it to the world on YouTube or Vimeo or distribute it as a movie to a closed group via, say, Dropbox or some such resource… then FCP X does it all.
That’s FCP X’s place in the world of tomorrow. For today’s broadcast and film needs, probably PPro and MC 6 are better options.
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Neil Sadwelkar
neilsadwelkar.blogspot.com
twitter: fcpguru
FCP Editor, Edit systems consultant
Mumbai India -
Erik Lindahl
May 10, 2012 at 11:18 amI was going to ask the same thing – have AJA release drivers for CS6 yet?
I’d love to jump to the new suite asap – when a few key projects are sort out here.
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David Lawrence
May 10, 2012 at 5:17 pm[Chris Harlan] “Actually, me too. That thing can be a nice little problem solver when it wants to be.”
Oh yeah. I can’t tell you how many times that little gimmick has saved my butt!
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David Lawrence
art~media~design~research
propaganda.com
publicmattersgroup.com
facebook.com/dlawrence
twitter.com/dhl -
Jim Giberti
May 10, 2012 at 5:40 pm[Neil Sadwelkar] “But if you need to quickly put together a set of disparate scenes like in a docu together, quickly classify material without making subclips and bins, to tackle the usual colour jumps, camera shake, and turn out a result and publish it to the world on YouTube or Vimeo or distribute it as a movie to a closed group via, say, Dropbox or some such resource… then FCP X does it all.”
You make it sound as if it’s not appropriate for doing broadcast work Neil, which it certainly is.
While it may not be the best tool for episodic work (depending on your workflow, it obviously is for some) It’s a lot more than a Dropbox, youtube app…I don’t get that point at all.
It outputs beautiful quality broadcast spots very quickly, and that’s a pretty big chunk of the pro work being done for broadcast.
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Armando Ciurana
May 10, 2012 at 6:09 pmDear Aindreas:
On the Mac Book Pro:
Intel Core Duo 2.93 GHz
8 Gb Memory
Graphics Nvidia GeForce 9600m GT 512 MBBest!
President
Ciurana Dussauge Films Mexico -
Armando Ciurana
May 10, 2012 at 6:13 pmThere´s no drivers for CS6 from AJA yet, We use a Mac Pro early 2008 with the AJA Kona 3G, went well with After Effects Client Monitor
Best
President
Ciurana Dussauge Films Mexico
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