Fuji TV’s Absolute Zero Produced with DaVinci Resolve Studio
Production relied on DaVinci Resolve Studio and control panels from set to final grading. Blackmagic Design announced today that DaVinci Resolve Studio editing, color grading, visual…
Category: Blackmagic Design
Indie Feature The Cashier Shot with Blackmagic Design Cameras
Neo noir influences captured with Blackmagic URSA Cine 12K LF and Blackmagic PYXIS 12K. Blackmagic Design today announced that the upcoming feature “The Cashier” was shot using Blackmagic Design digital film cameras,…
Hidden DaVinci Resolve Tips That Will Change Your Grading!
I’ve been color grading in DaVinci Resolve for a while now, and there are a few things I almost never see anyone talk about. So,…
1401 Films’ A Passage of Silence Short Film Shot on PYXIS 6K
Los Angeles filmmaker captures intense and emotional story shooting full frame open gate. Blackmagic Design today announced that “A Passage of Silence,” an award winning Persian…
PYXIS 12K Helps Deliver Campaign for TWG Tea
8K open gate capture provides both vertical and 16:9 cuts. Cinematographer Dale Campbell has more than two decades shooting commercials, fashion and narrative projects. A last minute…
Restoring Sneaker History with URSA Cine 17K 65
DP Alex Bather talks about pairing adidas Ostrich Kegler Super with digital 65. The short documentary “1/100: The Story of the Ostrich Kegler Super” isn’t really…
Surreal Horror and Fashion Film Metanoia Shot on Blackmagic Cinema Camera 6K
Exploring dread through fashion and horror created with Blackmagic Design cameras and DaVinci Resolve Studio. Blackmagic Design today announced that Creative Director and Producer Gina Gizella Manning and Director…
URSA Cine 17K 65 Captures Images of Triumph for Southern Cancer Center
Powerful campaign uses URSA Cine 17K 65 across broadcast, social media, newspaper and magazine deliverables. Blackmagic Design today announced that creative agency Craftshow Digital relied on the Blackmagic URSA…
Tomas Alfredson’s Playbook for Cloud Collaboration with DaVinci Resolve Studio
How the production team on “Alfie Atkins” kept edit, color and VFX moving on a budget. Tomas Alfredson’s route to “Bara knyt, Alfons!” (“Alfie Atkins”) started…
Balancing Reality and Imagination with Blackmagic PYXIS 12K
James Westlake on shooting “Imagination of a Phoenix” with a large format 8K workflow For Cinematographer James Westlake, “Imagination of a Phoenix” was one of…