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Interlacing… confused again…
I hate when of a morning my, what i belived to be, rock-solid understanding of a concept it destroyed! Please help me to understand interlacing (again…) I have read around the subject and think i understand, but you can’t ask a book a question…
We occasionally use our old sony v1 camera that shoots 50i (we are in the uk) my boss tells me that 50i is the same as 25p. This i took for granted for the last year- I always thought that a 50i image could be effortlessly combined to make a progressive image as each set of fields makes a full frame… just select ‘none’ in the frame order tab on FCP and hey presto – de-interlacing by field combination. but to my horror i found today that the camera actually records each set of fields sequentially (i.e 1/50 sec apart) and therefore what i though was one progressive frames’ worth of image in 50 fields is actually temporally different by 1 50th of a second. This has lead me to believe that i have been using final cut in error for quite a while – after we ingested 50i footage i set the field order to ‘none’, assuming that that means the footage will be treated as progressive. I think, by doing so, i’ve been de-interlacing the cheap and nasty way – by throwing away a whole set of fields. is this the case? if so, is there anyway to make my footage work with progressive footage on the same timeline? – should i de-interlace by interpolation?
I noticed that often when ingesting 5d rushes to prores hq final cut has given the clips field dominance – I really don’t understand why that is – any ideas?
Thanks guys!
dan