“We are planning on using the ProRes codec to compress the clilps prior to editing, which is something I currently can’t do running on a PowerPC. “
Yea, you’re going to definitely want a Mac Pro. ProRes wants an Intel machine.
“Do we really need the 8-core? Is it overkill for basic HD editing?”
You’ll render your timeline and encode with Compressor faster with an 8-core, but I have a 2X 2.26 Quad-Core at work and I think it’s just fine. I never find myself sitting at my computer thinking, “oh gee, this render time is just killing me.”
“would 32GB of RAM cost more than the performance increase is worth? “
I don’t think FCP uses more than 4GB of RAM. More RAM is beneficial when you are using Motion or After Effects for motion graphics work. I personally have 12GB and I’m fine with that. I would recommend you get that amount as well. RAM isn’t as expensive anymore these days.
My advice would be to get some kind of RAID. That’ll cut down the amount of time needed to render while you edit. Big time pros usually have 8-bay RAIDs. If you’re poor like me, a G-Tech G-Speed Es configured as RAID5 is a good option, maybe even a G-RAID if you’re really strapped for cash. The G-RAID is RAID0 though, so you’ll need to figure out some kind of back-up solution.
I’d also suggest purchasing a capture card. Even if you’re not going to capture tape, it’s still beneficial for accurate monitoring. The Kona LHi and Matrox MXO2 are nice. If you do capture tape, the Kona and MXO2 can transcode to ProRes in real time, which is nice. (I’m pretty sure the MXO2 can do that, i’m positive the Kona can)
Rob Grauert, Jr.
http://www.robgrauert.com
command-r.tumblr.com