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don’t want to nest audio
I’ve got a project with problematic audio. Lots of different channels, lots of characters. I had to create new sequences with seven audio channels to sync my master clips.
Needless to say, I didn’t sync all of the material. I’ve done a rough cut and need to line up all of the audio and start wading through to see which channels to keep for which shots.
I’m using overwrite sequence content to preserve the independence of the audio but I’ve found that this ignores my out point in the timeline and overwrites the entire length of the sequence with as much audio as exists in the incoming sequence – unless I find the out point on the left hand side as well.
What am I doing wrong? Regular overwrite nests the audio – which I don’t want and finding both the ins and outs is annoying and feels unnecessarily complicated. Is there a setting that I’m missing?
Thanks.