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  • Best export for theatre screening via projector

    Posted by Anton Petersen on December 10, 2010 at 10:43 pm

    Hi guys!

    I have theatre screening on monday, with the options of
    projecting the film via computer or blu-ray player. The
    projector is not full HD(I’m guessing HD Ready, the guy said
    “not quite HD but almost) and has a HDMI input.

    The film is shot full HD 50i on EX1 with a letus extreme adaptor.
    I’m using FCP Studio 2.

    What is the best export for the screening?

    David Roth weiss replied 15 years, 5 months ago 4 Members · 8 Replies
  • 8 Replies
  • Michael Gissing

    December 10, 2010 at 11:29 pm

    Make H264 files, 1920 x 1080 . That is the standard for bluray and should play nicely off a computer as well. If you can’t author a playable bluray, then use the computer to playback.

    Most important is to do a few variations with the H264, upping the data rate and take those files in before and do a test to determine which data rates are too high for the playback system.

    Obviously use the data rate that gives best picture with reliable playback.

  • Michael Gissing

    December 10, 2010 at 11:37 pm

    [Dave LaRonde] “My vote is for Blu-Ray.”

    My practical experience has been that authoring a bluray on a FCS edit suite computer is difficult compared to making the same H264 attributes that playback on a computer. Hopefully a playback computer in a theatre is not on the internet, isn’t used for gaming or playing solitaire and has a better playback hard drive specs than a bluray player.

    Did a screening just like this one last wednesday and it was great quality and flawless. It was playing off a well maintained Mac mind you.

  • Anton Petersen

    December 11, 2010 at 12:34 am

    Thanks Guys!

    I will try both! I have a well maintained Mac as well.
    I can use it in case of an emergency. We will do some tests
    monday morning and I’ll make sure I have some blu-ray discs
    in different bitrates as well.

  • Michael Gissing

    December 11, 2010 at 2:48 am

    [Dave LaRonde] ” I forget which one of Murphy’s Laws this is, but I always keep it in mind:
    “If something CAN go wrong, it will.””

    I prefer Jennings Corollary – “The likelihood of the toast landing jam side down is inversely proportional to the value of the carpet.”

  • Mark Raudonis

    December 11, 2010 at 4:20 am

    Blu ray. Much more dependable than a computer playing a file.

    mark

  • David Roth weiss

    December 11, 2010 at 3:14 pm

    Michael, am I wrong, or is Jennings Corollary bassakwards? Shouldn’t the likehood of the toast landing jam side down be directly proportional to the carpet’s value, not inversely? I mean, who gives a damn if jam is more likely to get on a cheap carpet?

    Is Jennings from Tasmania? If so, that explains a lot…

    David Roth Weiss
    Director/Editor/Colorist
    David Weiss Productions, Inc.
    Los Angeles
    https://www.drwfilms.com

    POST-PRODUCTION WITHOUT THE USUAL INSANITY ™

    A forum host of Creative COW’s Business & Marketing and Apple Final Cut Pro forums. Formerly host of the Apple Final Cut Basics, Indie Film & Documentary, and Film History & Appreciations forums.

  • Michael Gissing

    December 12, 2010 at 1:41 am

    David, you are right. I have misquoted. It should be the toast landing jam side up. Gravity, however, works the same in the southern hemisphere and we are not standing on our heads despite reports to the contrary.

  • David Roth weiss

    December 12, 2010 at 4:10 pm

    I’m glad we got that important bit of science clarified. I always like to know which side of my toast is buttered.

    David Roth Weiss
    Director/Editor/Colorist
    David Weiss Productions, Inc.
    Los Angeles
    https://www.drwfilms.com

    POST-PRODUCTION WITHOUT THE USUAL INSANITY ™

    A forum host of Creative COW’s Business & Marketing and Apple Final Cut Pro forums. Formerly host of the Apple Final Cut Basics, Indie Film & Documentary, and Film History & Appreciations forums.

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