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color correction and keying
Posted by Ryan Horner on November 20, 2009 at 1:42 amDoes anyone know what the best Codec is to use for color correction and/or keying out black backgrounds when coming from a HDCAM tape? I have an AJA IOHD for use of their codecs. Any suggestions?
Thanks,
RyanArnie Schlissel replied 16 years, 9 months ago 4 Members · 5 Replies -
5 Replies
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Ryan Horner
November 20, 2009 at 4:33 amHey Jeremy,
Thanks for the response. The question came about when a dub guy at a facility said that Prores falls apart when color grading or keying. Can you shed any light on that or can you give me any detail as to why prores is your choice?
Thanks,
Ryan -
Petteri Evilampi
November 20, 2009 at 3:38 pm“Prores falls apart when color grading or keying” – dub guy does not know what he is talking about. Prores is used every day basis for color correcting, keying and even heavy compositing all over the world.
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Jeremy Garchow
November 20, 2009 at 4:17 pm[Ryan Horner] “The question came about when a dub guy at a facility said that Prores falls apart when color grading or keying”
Wow. First I have heard of that. ProRes has been great for both scenarios in my case. I don’t know if your ‘dub guy’ has ever tried compositing?
[Ryan Horner] “Can you shed any light on that or can you give me any detail as to why prores is your choice?”
The ioHD will only capture to ProRes in HD. Makes that decision easy, doesn’t it? 🙂
Jeremy
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Arnie Schlissel
November 20, 2009 at 10:01 pm[Ryan Horner] “The question came about when a dub guy at a facility said that Prores falls apart when color grading or keying.”
You know, I’m tempted to ask how the dub guy knows this. After all, he’s just the dub guy… Or is he a bigger post house that also does color grading & keying?
Arnie
Post production is not an afterthought!
https://www.arniepix.com/
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