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Activity Forums Apple Final Cut Pro Legacy Help Jittery playback on PAL TV

  • Help Jittery playback on PAL TV

    Posted by Brett Ramsey on June 9, 2009 at 1:40 am

    Bear with me on this one as it seems to me anyway quite complicated. I am using B-Roll footage downloaded in the following format.

    Information for File: pcc_int_highlight_round2_eurospeedway_lausitz_2009.mov

    General / Container Stream # 1
    Total Video Streams for this File -> 1
    Total Audio Streams for this File -> 1
    Video Codecs Used -> AVC
    Audio Codecs Used -> AAC LC
    File Format -> MPEG-4
    Play Time -> 26mn 1s
    Total File Size -> 1.56 GiB
    Total Stream BitRate -> 8 575 Kbps
    Video Stream # 1
    Codec (Human Name) -> AVC
    Codec (FourCC) -> avc1
    Codec Profile -> Main@L3.0
    Frame Width -> 720 pixels
    Frame Height -> 576 pixels
    Frame Rate -> 25.000 fps
    Total Frames -> 39025
    Display Aspect Ratio -> 5/4
    Video Standard -> PAL
    Scan Type -> Progressive
    Colorimetry -> 4:2:0
    Codec Settings (Summary) -> 2 Ref Frames
    QF (like Gordian Knot) -> 0.796
    Codec Settings (CABAC) -> No
    Video Stream Length -> 26mn 1s 0ms
    Video Stream BitRate -> 8 248 Kbps
    Video Stream BitRate Mode -> VBR
    Bit Depth -> 24 bits
    Video Stream Size -> 1.50 GiB (96%)
    Video Stream Title -> Apple Video Mediensteuerung / Apple Alias-Datensteuerung
    Date of Original Encoding -> UTC 2009-06-03 09:50:08
    Audio Stream # 1
    Codec -> AAC
    Codec (FourCC) -> 40
    Audio Stream Length -> 26mn 0s 981ms
    Audio Stream BitRate -> 322 Kbps
    Audio Stream BitRate (Nominal) -> 320 Kbps
    Audio Stream BitRate Mode -> CBR
    Number of Audio Channels -> 2
    Audio Channel’s Positions -> L R
    Sampling Rate -> 48.0 KHz
    Bit Depth -> 16 bits
    Audio Stream Size -> 59.9 MiB (4%)
    Audio Stream Title -> Apple Ton Mediensteuerung / Apple Alias-Datensteuerung
    Date of Original Encoding -> UTC 2009-06-03 09:50:08
    I am then using either Visual Hub or MPEG Streamclip to import this footage into FCP 5 on a G4DP MDD Mac with 2 gig ram.
    The export setting is set for 720 x 576 PAL, Anamorphic 16:9 Lower field dominance 48K Audio etc.
    All works well in FCP but when I print to tape the resulting file is jittery with fast motion action.
    As this is Motorsport footage that’s pretty much all of it.
    My TV station says it’s a field dominance issue but FCP and QT both say the field dominance is correctly set (lower)
    I have imported the same footage into Premier on a PC and no problems. The station uses Premier exclusively is now saying that this is a FCP/MAC problem.
    Does anybody have any idea how I can smooth out this footage, any filters that I should apply and what would be the best settings to convert the original mpeg 4 and mpeg2 files to import into FCP?
    The future of my weekly show is now under threat as they say unless this can be fixed they will pull the show straight away.

    Jamie Balfour replied 16 years, 5 months ago 4 Members · 8 Replies
  • 8 Replies
  • Rafael Amador

    June 9, 2009 at 2:04 am

    [Brett Ramsey] “The export setting is set for 720 x 576 PAL, Anamorphic 16:9 Lower field dominance 48K Audio etc”
    If the movie is progressive, export as progressive.
    rafael

    http://www.nagavideo.com

  • Michael Gissing

    June 9, 2009 at 4:51 am

    In PAL only DV codec is lower field. If you exported it as any other codec, you got the field order wrong.

    Check if FCP has added the shift fields filter to the footage, but without any info on your codec and sequence settings, it is hard to guess further. It is unlikely to be an problem with FCP other than operator error I am afraid. The mp4 file should have been upper field to start with.

  • Brett Ramsey

    June 9, 2009 at 6:06 am

    Exporting to PAL DV codec in both Streamclip and Visual Hub in Visual Hub I’m exporting using the DV “Ready for FCP” checkbox.
    I will try exporting progressive and then setting the field order in FCP that might fix it.

  • Michael Gissing

    June 9, 2009 at 6:14 am

    [Brett Ramsey] “I will try exporting progressive and then setting the field order in FCP that might fix it.”

    Only do that if you want to throw away half your screen resolution. If you let me know what the sequence setting is, I can advise if the solution is to add the shift fields filter in FCP.

  • Rafael Amador

    June 9, 2009 at 7:52 am

    I think that the problem is because MPGStreamclip is trying to re-interlace the footage (Progressive) to output DV (Lower).
    My suggestion is that you convert in MPGStreamclip to DV Progressive.
    When you import it to FC will be recognized as Lower-first.
    rafael
    PS: DV needs to be always Lower-first “in Tape”.
    In you computer you can decide the field order.

    http://www.nagavideo.com

  • Brett Ramsey

    June 9, 2009 at 11:20 am

    The sequence which is output to DVCam tape is PAL, 720 x 576, Lower Field first (Even) Aspect Ratio CCIR601/DV PAL 5:4 Compressor DV PAL 100% Audio 48 Khz.
    The final program is then recaptured into MPEG2 for Playout from the Stations Playbox System.
    I have suggested that they give me the mpeg2 specs and I can encode it direct from the timeline but they insist that for the sake of consistency that they do it themselves in house.

  • Rafael Amador

    June 9, 2009 at 11:58 am

    You start with PAL Progressive.
    Convert it in MPGStreamclip to the codec you want, but keep it Progressive.
    Being Progressive will work well in any Upper or Lower sequence in FC.
    No problem to print it to DVCam.
    rafael

    http://www.nagavideo.com

  • Jamie Balfour

    March 11, 2010 at 12:01 pm

    Hi,

    I came across your thread, and was wondering whether or not you solved the jittering problem you were having?

    I know this is quite old now, but we are experiencing the same problem. We are using Playbox to play out our files, which caught my attention in this thread.

    We are a not for profit organisation and get a lot of different content from many different remote organisations. We often don’t know the history behind the files, and sometimes it is next to impossible to contact anyone who knows.

    Some of the files that come in are jittery, and we are trying to solve this problem. Any help would be greatly appreciated.

    Jamie

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