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Activity Forums Apple Final Cut Pro Legacy Fixing jagged edge with red background.

  • Fixing jagged edge with red background.

    Posted by Thomas Benton on March 23, 2009 at 5:57 pm

    Hello all.
    I have a question. I am making a fairly large DVD. The majority of this DVD is of a sitting man, giving a tutorial, with a red background. A spot light is lighting the space over his left shoulder on the backdrop. as with most things that are red there was some pixilation and jagged edges with on his shoulder. I cleaned these up using the Color Smoothing_4:1:1 filter under the key tab. This took care of most of my problem, but my client is saying that they still see some strange pixilation that would be “very obvious”. Upon further review of my DVD I noticed a extremely minor jagged edge on shoulder of my videos protagonist. What can I do to further solve my jaggedness and pixilation issues?
    Thank you for the support
    Thomas.

    Cheers.
    Thomas Benton

    Michael Gossen replied 17 years, 1 month ago 4 Members · 5 Replies
  • 5 Replies
  • David Roth weiss

    March 23, 2009 at 6:06 pm

    Is the original material DV?

    David Roth Weiss
    Director/Editor
    David Weiss Productions, Inc.
    Los Angeles

    POST-PRODUCTION WITHOUT THE USUAL INSANITY ™

    A forum host of Creative COW’s Apple Final Cut Pro, Business & Marketing, and Indie Film & Documentary forums.

  • Michael Sacci

    March 23, 2009 at 6:07 pm

    Natress Filters has better than stock filters available (for sale). DV and DVD do not like reds, this setup should be avoided if you do this type of project again.

    Couple of things that might try, Look at Natress’s filters for upsampling to 4:2:2 and then do some color corrections, make sure the chroma levels are within broadcast safe and you may want to reduce the saturation even further.

    I better encoder maybe needed also. Compressor does a good job on most things but it seems to have more trouble with reds then Bitvice or others.

  • Michael Gossen

    March 23, 2009 at 6:16 pm

    What was the material shot on? How was the material digitized? If it wasn’t shot DV, maybe working in a 4:2:2 10-bit codec to start would be useful. It is good to look at the tape and see what you actually have. Are you using broadcast safe or color correction filters? Sometimes, that exacerbates the problem too, especially in a compressed format. Possibly, you could try to desaturate the red a little using a CC 3-way limit effect. But if this was shot DV, that compression could be on the source recording and then you would be limited in possible solutions.

    Michael Gossen
    Helium Digital Media

  • Thomas Benton

    March 24, 2009 at 4:59 pm

    to respond to everyones questions, this was shot on Mini DV, but we used a 16:9 aspect ratio , and we used a deck to digitize it. Also, we do have Natress a wide verity of Natress filters, can anyone recommend a good one to up sample to 4:2:2?
    Thanks.
    Thomas.

    Cheers.
    Thomas Benton

  • Michael Gossen

    March 24, 2009 at 5:08 pm

    I was just looking at the borisfx website, and I see they have an After Effects filter called DV fixer…

    Maybe that is worth a try in conjunction with other options too…

    Good luck.

    Michael Gossen
    Helium Digital Media

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