Did you shoot progressive or progressive split frame or old school interlace PAL?
If you shot P or PsF I would pull the frame rate down to 23.98 in Cinema tools and pitch correct the audio in Soundtrack. After you pull the video your audio will be 4% shorter then the video. In FCP get the new TRT for the pulled video and plug that value in the time stretch process. Double check that the audio at the end of your film is in sync and bada boom bada bing you have a 23.98 film. Just make a MPEG-2 from this source because DVD works best in a 23.98 environment. BUT this will ONLY work if your PAL footage is P or PsF.
If it was interlaced you will have to standards convert the footage to 29.97 NTSC. I would use the better setting in compressors frame converter if this is for final release and you cannot afford outside Alchemist PhC conversion, because it uses optical flow technology to perform a motion compensation conversion which is similar strategy to what the S&W Kudos Mach1 uses. This will be a 50:1 to 60:1 render ratio if you are on a dual 2Ghz G5 a 20:1 to 30:1 if you are on a Dual Quad 3Ghz Mac Pro, but it makes for the best conversions when it works.
Just compressing a PAL to NTSC without any frame conversion will cause jutter. Since there is no rational correlation between 25fps and 29.97, frames are either duplicated or dumped willy nilly as compressor attempts to pound a square peg through a round hole.