The difference is two-fold: A loss of colour information via compression (which makes accurate keying muchgmore difficult) and a loss of picture detail via compression. Your system loses the ability to accurately identify exactly the areas that are tricky to key. It’s really a big difference – the difference between a nice key and a tacky one IMHO.
I would really consider purchasing a cheap capture card, such as the $300 blackmagic card. You have a Digibeta deck (assume you meant Digibeta rather than Beta SP with SDI out, which we have but are rarer) which costs that much a couple of days to hire, and a DVCAM deck you don’t even need here. If you have spent the time and money to shoot at Beta quality, don’t cheat on this in post – especially with CK. There are, of course, better quality DV codecs you could use here, but why bother
Editec Broadcast Editing Ltd
EVS & FCP specialists for live OB operations. FCP systems just used on Sky Sports coverage of the Ryder Cup – live from the K Club.
“The Supercar Run” now available for international distribution from http://www.electricsky.com