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FCP5 Audio ?
Posted by Chris S on June 16, 2005 at 11:52 pmIts been about 2 weeks since we switched over to FCP5 from our Media 100’s. Love it but one little annoyance. The file name on the audio track really manages to get in the way when I get in to edit. I know I should edit it in the edit window but old habits die hard, can this be turned off by any chance.
Thanks
Bryce Whiteside replied 20 years, 11 months ago 3 Members · 5 Replies -
5 Replies
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Steve Regian
June 17, 2005 at 12:29 amI have the same complaint and can’t find a way to turn it off… but as a work around I temporarily change the size of the problem track to make it “taller” and then the waveform can be clearly seen without the track name interferring.
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Chris S
June 17, 2005 at 12:33 amThanks I will try that. I wonder if there will ever be perfect software.
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Bryce Whiteside
June 17, 2005 at 3:47 pmAre you editing on the Sequence Timeline or in the Viewer?
Double click your clip to put it in the Viewer and then drag the audio tab to the Sequence Timeline window. You should then have an editable audio waveform the length of your Timeline Sequence window. You can zoom in to any level and still be able to see a lot more of your audio than you would in the Viewer. It will not increase the default height that you see in the Viewer, but you should have more information than just editing in your program sequence track height.
When you are done just CTRL+click (contextual menu) the tab and select Close.
HTH,
BryceDon’t worry Mr. B. I have a cunning plan…
PowerBook 1.67 Ghz ATI 9700 128 MB 2 GB
Final Cut Pro HD
DVD Studio Pro 3
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Chris S
June 17, 2005 at 3:58 pmI have been editing in the timeline. I especially like to do the initial cleanup on the timeline, ie. trimming front and back of music, v/o’s etc, and the major cuts.
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Bryce Whiteside
June 17, 2005 at 4:09 pmOne of the complaints about M100 editing was an audio pop sometimes at edit points.
An advantage of FCP is the you can change levels with keyframes within one frame or 1/30 of a sec. I use this technique to clean up audio pops–cause by ambient background noise, breaths or the producer stepping on the interviwee’s response–without changing the in and out point of the whole V1,A1,A2 clip.
My 2
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