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MPEG I-frame vs ProRes 422
Hey guys,
We just switched all of our seats to Premiere Pro from FCP 7. I’m working on a project straight from R3D files and see that Premiere transcodes them to MPEG I-frame. I’m used to transcoding them to ProRes 422 (HQ if we’re doing massive color grading or compositing).
I’m a little nervous to send the project through the pipeline with MPEG because I really don’t know a lot about it. Can anyone give me some insight on how Premiere’s MPEG I-frame holds up to FCP’s ProRes from experience?
Thanks!