• Adobe Premiere Pro

  Premiere+After Effects Workflow for Black Magic Cinema Camera

  Posted by Axel Arzola on October 5, 2012 at 7:14 pm

  I haven’t got the BCCM yet, but I’m trying to learn the workflow I would have to follow with it.
  Cutting in Premiere, and then sending to After effects to fix or add something is really a blessing. I have not found any article about Premiere+After Effects+Davinci workflow.

  So far, I have read that to edit in Premiere I have to
  1-Take the DNG raw inside Davinci and output the footage in another image sequence format that Premiere can handle.
  2-Edit
  3-Send XML or EDL to Davinci for final conform.

  Is there a way of editing natively in Premiere and using After Effects for FX and doing all the color correction and conforming on Davinci.

  I am trying to learn, so I would appreciate any comments.
  Thanks

  Axel Arzola

  http://www.facebook.com/arzolafilm

  Sareesh Sudhakaran replied 13 years, 8 months ago 2 Members · 1 Reply
• 1 Reply

• 

  Sareesh Sudhakaran

  October 10, 2012 at 11:56 am

  Resolve offers the best workflow in your case, simply because there is documentation on the internet that’ll make your life easier.

  Working in RAW will always have the extra debayering step, whether you do it beforehand or after locking the edit.

  You could use other programs like Lightroom for debayering, but round tripping can quickly become complicated. It’s much easier to lock the edit, render a master TIFF image sequence of it, and then continue to AE and beyond with that.

  It’s easier to start with what you’re getting for free anyway with the BMCC, and then see where that takes you.

  https://www.wolfcrow.com – Workflow information and support for filmmakers, photographers, audiographers and videographers.

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