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Activity Forums Adobe Premiere Pro Exporting Quicktime PAL DV for theatrical screening

  • Exporting Quicktime PAL DV for theatrical screening

    Posted by Cagil Ivak on September 24, 2012 at 5:52 pm

    Hi,

    I’m shooting 1080p and always worked on HD projects. But we will attend “48 Hour Film Project” next week, the short films will be screened in a theater and should be submitted as

  • Self-contained
  • Quicktime
  • PAL SD (720×576)
  • Without proprietary codecs
  • I’m working on Premiere Pro CS 5.5 . My videos are 1080p, progressive, 1.0 pixel aspect ratio. So I create the sequence as 720×576, 25 fps, 1.0 pixel aspect ratio, progressive. I resize the video, have letterboxing. So everything is fine.

    But I do not know how to export this for submission.

  • When the export format is “Quicktime” , the preset “PAL DV” uses Lower First field type and 1.0904 pixel a.r. which is not OK.
  • If I say “custom” and codec “none” or “uncompressed YUV”, than the 5 minute file is around 7-10 GB.
  • I can not select codec DV 25 PAL, it does not let me change it to progressive and 1.0 p.a.r.
  • So basically I do not know which codec I should choose. How I should export. If it was for web, I would choose h.264 but I am not sure if this is a good option for a festival submission.

    Any suggestions?

    Thanks in advance
    Ivak

Tero Ahlfors replied 13 years, 10 months ago 3 Members · 2 Replies
  • 2 Replies
    • Gabriel Sanchez

      September 24, 2012 at 9:24 pm

      720×576 is not the best resolution for screening in a theater, so h264 can´t be bad for the same thing…
      I would work in a 1080p sequence fitting the original footage frame rate, PAR, etc.. to keep an HD master, and then export to progressive 720×576 which will be letterboxed. H264 will be fine if you set a high bitrate, according to the maximun file size allowed.
      Regards

    • Tero Ahlfors

      September 26, 2012 at 3:45 am

      You should use whatever they say or contact them for additional info. I had to do some mastering for a 48 hour film competition and it was a pain dealing with all kinds of non standard stuff.

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