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Activity › Forums › Creative Community Conversations › iMac comparison

  • Andy Patterson

    July 2, 2017 at 12:12 am

    DR is looking awesome.

  • Joe Marler

    July 12, 2017 at 3:08 pm

    [Oliver Peters] “Both FCPX and Resolve 14 are looking strong on the newest iMacs.”

    I just tested FCPX 10.3.4 on a 2015 vs 2017 top-spec iMac 27. The 2017 is much faster in some FCPX workflows, far more than synthetic benchmarks would indicate. It is about 2x faster to transcode 4k H264 long GOP to ProRes proxy, and about 2x faster exporting to 4k H264.

    When editing 4k H264 long GOP on a timeline without proxy or optimized media, the viewer frame rate is much faster — it’s hard to quantify and it likely varies with the exact codec variant, but it seems about 3x faster. For the first time on any hardware or editing software I’ve tested, it’s fast enough to edit single camera 4k H264 long GOP without proxy. Editing two-camera 4k H264 multicam on the 2017 is faster than single-cam on the 2015 model.

    Compared to the 12-core D700 nMP I tested recently, the 2017 iMac feels much faster on H264 workflows. The nMP still has an advantage if doing ProRes acquisition (so you don’t have to transcode) and if maintaining an all-ProRes workflow.

    Ironically (despite its faster GPU) the 2017 iMac isn’t that much faster than the 2015 on several FCPX effects I tested.

    Under heavy CPU load the cooling fan on the 2017 iMac does spin up to 2700 rpm quicker, but the CPU temps never get about about 70C during FCPX transcoding. However for some workloads it is working twice as fast, so for me that’s an OK tradeoff. My desk is stacked with spinning Thunderbolt drive arrays and they all make noise. For someone doing sustained high-CPU work with only SSD storage in a quiet room, it might bother them.

    Other tests:

    Neat Video 4.5.5 on 31 sec clip of 4k XAVC-S from Sony A7RII (each optimized using Neat Video config utility for optimal CPU/GPU split):

    2013 12-core Mac Pro D700: 6 min 58 sec
    2015 iMac 27 i7: 9 min 7 sec
    2017 iMac 27 i7: 8 min 3 sec

    Digital Anarchy flicker reduction on 12-sec H264 4k from DJI Phantom 4 Pro:

    2013 12-core Mac Pro D700: 9 min 6 sec
    2015 iMac 27 i7: 9 min 15 sec
    2017 iMac 27 i7: 7 min 38 sec

    BruceX FCPX benchmark (each average of two runs)

    2013 12-core Mac Pro D700: 17.0 sec
    2015 iMac 27 i7: 25.8 sec
    2017 iMac 27: 15.8 sec

    FCPX sharpen effect on 31 sec H264 4k XAVC-S clip, timeline render:

    2013 12-core Mac Pro D700: 27.7 sec
    Using ProRes optimized media: 12.1 sec

    2015 iMac 27: 21.2 sec
    2015 iMac 27 ProRes: 24 sec
    2017 iMac 27: 20.3 sec
    2017 iMac 27 ProRes: 23.8 sec

    FCPX aged film effect on 31 sec H264 4k XAVC-S clip, timeline render:

    2013 12-core Mac Pro D700: 30.45 sec
    Using ProRes optimized: 21.8 sec

    2015 iMac 27: 35.3 sec
    2015 iMac 27 ProRes: 47.3 sec
    2017 iMac 27: 29.8 sec
    2017 iMac 27 ProRes: 37.8 sec

  • Neil Goodman

    July 13, 2017 at 3:21 am

    I still feel like my maxed 2015 imac is a beast for editorial. Im not a fan of trying to edit native, and always transcode at some point but 4k no problem, All the NLE’s running smooth, even Davinci. I have zero complaints or zero need to upgrade anytime soon.

    My work has 30 rooms with these setups for high end short form and i don’t really ever hear anyone complain they need more juice but its typically an offline workflow as well.

    I personally dont know alot of places that edit with native media.

  • Oliver Peters

    July 13, 2017 at 11:44 am

    [Neil Goodman] “My work has 30 rooms with these setups for high end short form and i don’t really ever hear anyone complain they need more juice but its typically an offline workflow as well. “

    What’s your shared storage situation there?

    – Oliver

    Oliver Peters Post Production Services, LLC
    Orlando, FL
    http://www.oliverpeters.com

  • Scott Witthaus

    July 13, 2017 at 1:11 pm

    Just ordered a tricked out 2017 5K iMac. Looking forward to working on it.

    Scott Witthaus
    Owner, 1708 Inc./Editorial
    Managing Partner, Low Country Creative LLC
    Professor, VCU Brandcenter

  • Neil Goodman

    July 13, 2017 at 9:33 pm

    [Oliver Peters] “What’s your shared storage situation there?
    “

    ISIS/ NEXUS

    All Avid shop with one or two bays having Premiere just for a specific client.

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