-
Uninformed Speculation about Mac Pros
Sooo – this forum is for talking about something we know nothing about, so in that pioneer spirit, here’s why I like the new Mac Pro rumours:
Now, I loved the idea floated a while ago that the Mac Pro would be reborn as a 3U rackmountable device. It cleans up that whole XServe mess a little, and coalesces it into a single pro product. Studios and facilities would love it (I frequently have to remove trays from racks to fit Mac Pros), and a high-margin, low volume (in Apple’s terms) product gets a new lease of life. Maybe the prices will be more reasonable? We can but hope – bearing in mind the cost of processors, but looking at competing PC workstations at the same time.
Now is also a good time for a case refresh: Clearly the ports have to change, adding Thunderbolt (although it’s not as compelling a product as it is on a laptop), but also there are NO NEW Intel processors suitable for Mac Pros until the end of the year. On this basis, 6 months of sales boosted by a more affordable, more ergonomic casing make sense.
And the final piece of the puzzle? FCP X.
It strikes a lot of people at the moment that FCS and AVID are similar value propositions, at least on a software basis. On the one hand, AVID software costs more, on the other, Mac Pros cost more. In the end, especially if AVID finally announce support of proper video cards (which has never made economic sense to me until Nitris DX changes) this may give people one more opportunity to jump ship.
Whilst the days of Mac Pros may, in the long run be numbered by powerful iMacs and their successors, don’t kid yourself there isn’t a market for them, especially with 64-bit, Grand Central Dispatch munching software on the horizon. Right now, there’s barely a compelling reason for editors to buy Mac Pros over iMacs, but come the end of June, there may be.
Does this mean Mac Pros are a shoe-in for release with FCPX? I don’t think so – but I think Apple would love to do it for marketing purposes. I’m not sure it’s fair to suggest that the development cycles of either product would be kept in sync – these things just take too long, and are tied into too many other factors like manufacturing and supply.
But wouldn’t it be nice…?
Edit Out Ltd
—————————-
FCP Editor/Trainer/System Consultant
EVS/VT Supervisor for live broadcast
RED camera transfer/post
Independent Director/Producerhttps://www.blackmagic-design.com/community/communitydetails/?UserStoryId=8757