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Activity Forums DSLR Video Strobing on slow pans 7D

  • Strobing on slow pans 7D

    Posted by Adam Beasley on February 4, 2011 at 4:13 pm

    Hi All,

    Been shooting with my 7d for a month now, really like it, have come from Digi so there is a fair bit to get used to!

    My only real issue thus far is that I am getting awful strobing when panning on a tripod. Doesn’t matter what speed, or where I am on the lens (though at the end is worse). Looks fine when shoot it (as far as I can tell at least), when it gets dig’d in the strobing is there!

    I’m shooting 25p @ 1/50 – Then going to Pro Res for progressive. But the native files have the strobe on them too…

    Oddly, the whip-pan issues I keep hearing about are negligible (hand held stuff doesn’t seem to suffer from it),I just can’t seem to get a nice slow pan without awful strobing…

    I’ve got fast cards and it’s freezing cold here, so it’s not those things (I have heard them sited as potential issues..)

    Establishers are rubbish without a bit of a move on them, what can I do??

    Adam Beasley replied 15 years, 2 months ago 5 Members · 15 Replies
  • 15 Replies
  • Malcolm Matusky

    February 4, 2011 at 5:42 pm

    I noticed this on a few shots, most of my footage is fine. I’ll have to do some tests to see how to eliminate the strobing during a pan.

    Malcolm
    http://www.malcolmproductions.com

  • Rafael Amador

    February 4, 2011 at 8:20 pm

    [Adam Beasley]
    I’m shooting 25p @ 1/50″

    That camera makes p50, doesn’t she?
    Rafael

    http://www.nagavideo.com

  • Olin Padilla

    February 4, 2011 at 9:05 pm

    What most people refer to as strobing is caused by an inconsistency between the camera’s frame rate and the flicker pattern of the lights used.

    If that’s what you are talking about, then questions to ask are: What if any lights are you using? Are you in the right part of the world to be shooting 25p? Or is this a different problem altogether?

  • Phil Balsdon

    February 4, 2011 at 10:28 pm

    Where are you viewing the ProRes files, in FCP on broadcast monitor, or in Quicktime?

    Cinematographer, Steadicam Operator, Final Cut Pro Post Production.
    https://www.steadi-onfilms.com.au/

  • Adam Beasley

    February 7, 2011 at 11:23 am

    Cool, thanks Malcom

  • Adam Beasley

    February 7, 2011 at 11:27 am

    It can shoot 50p, yes but I prefer to shoot 24 or 25 unless I specifically want slow mo stuff…

  • Adam Beasley

    February 7, 2011 at 11:29 am

    I’m based in the UK, so yes, 25p is the norm here. All of the shooting I have been doing is outside so lights have not been a factor.

  • Adam Beasley

    February 7, 2011 at 11:30 am

    All three!

  • Phil Balsdon

    February 7, 2011 at 12:05 pm

    Can you post a few seconds online?

    Cinematographer, Steadicam Operator, Final Cut Pro Post Production.
    https://www.steadi-onfilms.com.au/

  • Adam Beasley

    February 7, 2011 at 8:14 pm

    Hi Phil,

    I’ve put 3 clips up

    https://www.vimeo.com/adambeasley/videos

    They are entitled rolling shutter tests 1, 2 & 3

    It’s worth mentioning here too that I’ve been using a vision 10, so the head is smooth as you like, though these clips may make it look like that is not the case, hence my problem!

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