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Avid Media Composer + Red Epic HDRX + 2K Davinci Workflow
Hi Everybody!
We just made some workflow testing and we ended up with a ton of questions we are still trying to figure out.
*this is the final project: https://vimeo.com/44259869
To begin with, Working with the epic footage is quite cool now that you can “MagicBlend” your shots straight in Davinci Resolve, the only things is that even our davinci workstation is quite a beast, it was impossible to render the final project at Full Quality Premium Res. *would the RedRocket Card help in this cases?
Anyway, this is what we did. and we would like to get some feedback.
Ingest Epic Footage to our server.
Edit in Avid Media Composer at 1080p
Export AAF sequence to Davinci.
Import the “Clean” edit into Davinci.
*Here we had our first problem, we needed to send Plates to out VFX team, some shots had time ramps, and we could not figure out how to get a clean session (No transition, speed changes and added handles inside Davinci) so we made a second AAF with the clean shots to the VFX department *Is there a way to make this a little bit easier?
Once we finish Color grading the Session, we tried to export the individual shots to “re/ensamble them” Back in Avid, but we had the 1080p limitation and we needed to test the 2k output, so we could find a way to make it work, but exporting the session with all the time ramps, crops, etc.
This was quite a let down, because we could not figure out how to make the re-assemble the online high quality material. and Ended up, doing our “Online” in FCP. *Any tip on how to make this work? i mean, the full turn arund between avid and davinci?
After that, we sent the edit to audio, and ended up finishing it, in Final cut (wich we are not that big of a fans)Any idea on how to improve this experience would be great.
Thanks in advance.
Salvador Abarca
Creative Director / Monster, GC.Some contents or functionalities here are not available due to your cookie preferences!This happens because the functionality/content marked as “Vimeo framework” uses cookies that you choosed to keep disabled. In order to view this content or use this functionality, please enable cookies: click here to open your cookie preferences.