To the lay person, 13GB/hr sounds huge, but that is actually very small compared to other compressed formats or even uncompressed standard def video as Ian alludes to.
The AVCHD codec that the NX 70 uses can go up to 28 megabits/sec (spec page from Sony), going down to SD it will go to a fixed 25 mb/s (I am assuming it’s just the DV25 codec) – so you don’t really save much and the picture quality suffers – in the time from the “invention” of the DV codec till HDV/AVC, technology advanced rapidly and the higher quality is being squished down to a manageable bit rate. Look at these data rates to scare you https://en.wikipedia.org/wiki/Uncompressed_video
I am not familiar with the AVCHD –> FCP workflow, but it appears that it uprezzes footage (maybe by default and you might be able to change that) during a transcode to get it to ProRES. Like Ian says – I think that FCPX “fixes” that by allowing you to access the native file in a file wrapper (sort of like how a .mov can be on of compressions an configurations, but they are all still playable by QT player).
The files will never be as small as “output” .mp4/h.264 files – you want and need more data than that to edit with to retain the quality and even AVC is extremely compressed already (reference the link above to compare the data rates). Fact is, AVCHD is a long gop type of h.264 and is already extremely lossy – that’s why FCP wants to uprezz it to ProRES.
You need more disc space and create a good workflow that allows you to copy only what you need and archive the project when done. You may also want to look into Avid Media Composer and Adobe Premiere if you are not in love with the move to FCPX and FCP 7 is causing you trouble.
Good luck, keep us informed plz.
Don