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On-set C500 dailies workflow for Avid?
Hello everyone,
I’m fast approaching a shoot that needs me to create on-set dailies from the C500, shot in 2K (I don’t know if it’s 10-bit or 12-bit), synced, LUT(s) applied, then transcoded into DNxHD 36 for offline edit in Avid Media Composer.
I’ve tried looking everywhere for a tried-and-true workflow that is specific to this situation, but to no avail.
It seems like I can import (I’m thinking the 2K proxies?) into Resolve, apply a standard Cannon Log to ??? LUT, sync, and transcode.
But then, I might (or should?) be able to create dailies using Avid as well (however I’m not sure if Avid is optimal for applying LUTs, save for MC7 or higher – will know soon what version the editor is cutting on).
If anyone has on-set experience creating dailies from C500 footage, I’m all ears.
Tiffany
