Yeah they should hire me because they need at least ONE person with a brain looking over what they do there, something they obviously don’t have.

 

Slowing it down to a rate that is a common speed for text does NOTHING to solve the problem.

[Edited by COW mods]

[Edited by COW mods]

 

Exporting the text as interlaced only makes the problem worse, and thank god for that because I’m not going to export the entire video as interlaced simply because Adobe can’t make text scroll, Premiere won’t even allow you to change a sequence that is already progressive into interlaced, but I bet you didn’t know… Read more

hm, you think the way they fixed the problem in Star Wars was making the film INTERLACED?

I have a mogrt with a basic text scroll with basic 3d to creative the text roll similar to the into text in Star Wars type of effect… it’s the setting in the essential graphics panel called “roll”

The text jitters no matter what I try… from the internet here’s everything I’ve tried so far

Exporting at different settings, I typical finish with…

Read more

It can’t only be bitrate… some cameras just have better resolution independent of their “resolution,”

there has to be some explanation of what is happening on a subpixel level

I’ve worked in the industry for 15+ years now… from time to time it occurs to me how I don’t fully understand camera resolution, or rather how subjective and misleading it can be.

 

My girlfriend I used to do photography with had a 5D mark II, that camera shot stills that were larger than 4K video, comparatively 4k is a small resolution… Read more

Here’s an update:

 

The reason Premiere can’t export interlaced from my interlaced footage is because when you make the timeline 4k it will no longer allow the footage to be maintained in the original upper field first setting. Stretching 1080i footage into a 4k timeline will necessitate a progressive scan from Premiere that you can’t change.

As far as I can tell the Ursa “log” look is called “Blackmagic Raw” and they claim it can be easily converted to a RED 709 look… well no it can’t. The Lut leaves much to be desired.

But, furthermore what I’m trying to do is match the Ursa footage to go pros… it never EVER matches. So the point of my contention is… what good is “log” if… Read more

(Edited by COW mods)

 

NO,no, no….

my system specs are 100% irrelevant.

The video is the same in premiere even when reimported, NOT the same outside of premiere no matter what the player. Why is that so hard for someone to understand yet they feel compelled to reply despite NOT having any clue what the answer is.

It is 100%… Read more

(Edited by COW mods)

no

The video looks the same when reimported into premiere

It looks different in anything that’s not premiere

Thus, no export setting would matter, no monitor calibration would change anything, scopes will change nothing!

I don’t normally get hung up on the gamma shift in Premiere, but I just did a video where the shift is particularly annoying and wrecked my look… the export doesn’t have the contrast or deep blacks, or skin tones that I crafted.

SO I see a thread on here where someone recommends simply looking at the video imported BACK into Premiere.. AMAZING……

Read more

I’ve always noticed the vertical title roll I have as my regular ending to videos I edit is a little jumpy… well while trying to see if I could make it smoother I found some distressing things.

It’s made in the essential graphics panel which uses it’s own method of animating the title with an ease in and ease out… so i don’t see keyframes. I…

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What I found is Premiere can do it but it’s very fussy about whether or not it will even allow you to export interlaced (upper field first), because I use a template sequence with a common intro and outro they make it not possible… if I use interlaced footage to make a sequence, only then will it actually allow an upper field first export,…

Read more

Long story short;

I work for a client… many of the videos I edit are older and are interlaced.

 

Many of his older edits of his videos ARE exported h264 and ARE interlaced (they LOOK like that source footage motion wise, bringing up the meta data in Premiere or resolves shows that indeed the EXPORTED h264 file is “upper field… Read more