Hello.

So I have an animation I’m creating where a 3d logo is casting shadows on a wall behind it. As part of the animation of the logo, a pre-comp of the logo spreads from the middle and stretches along the Y-axis until its about twice as long. I know (from research and just testing) that the masks I have doing this are what is breaking my…

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If anyone is wondering the same thing, I finally found the best workaround to be interpreting the H.265s down to 24fps (or whatever desired frame rate is) and then making proxies of those interpreted files. Only way I see to transcode workflow would still be bringing the H.265s into Premiere, interpreting, and then just exporting as whatever final…

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Just want to bump this. Especially with dialogue heavy stuff, Audition does a way better job of this for me

Hi Bart,

Can’t say I’ve ever run into this exact problem. When you copy/paste, what are you selecting when you copy? I find selecting the keyframes themselves often doesn’t work at all for me, vs selecting the whole effect (like ‘motion’).

Also, are all of the clips from the same source and running at the same fps?

Hi all,

Longtime Avid editor here who was real accustomed to the proxy workflow. Been using Premiere (new jobs, new skills right?) the last few years and now using it for a home project where I’m actually handling media creation.

I have some gnarly 1080p 240fps H.265 (HVEC) GoPro files. Just for fun I brought a few into Premiere, and as expected…

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