Hi Gregory,

Yes that was my solution to the problem too. But alas it is a complex scene with lots of moving parts and people. Rotobrush is doing a much better job than a few years before but it’s still very time consuming. But still thank you for your quick reply!

Hi Mads, I was thinking of difference keying first but alas there was no clean plate to work with. I thought mathematically it probably wouldn’t be a problem to determine the movement of a pixel and turn that into a matte and that there is probably already a tool out there. But thank you anyways!

Hello there,

I have a pretty weird question but maybe there already is a solution out there.

I have a plate where I only want to keep the moving elements and key out the rest. Is there a tool out there (maybe not even only in AE) that can delete pixels that have no motion and just leaves the rest?

I hope I made it clear enough to get across what I…

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Hello there,

sometimes we get ProRes422-footage to work on, sometimes 4444 for keying.

The usual way of handeling was to export the way we got it. Wouldn’t it be better to always export 4444, so colors are preserved better (even if the source was 422)?

Thanks very much in advance!

Hi there,

I am working in a project set up by a colleague and I find these weird graphs in his tracking data. They never look like that when I am tracking stuff in mocha AE. The motion is there but each frame seem to have 2 keyframes.

I bet it’s just some setting I don’t know about.

Thanks in advance!

Hello,

I have sort of an anti aliasing problem, I guess. I have inserted a graphic made by another artist into my UHD comp. It contains basically newspaper articles, lots of letters. The resolution of the graphic is ok, I would say. No jagged edges and it looks ok and smooth in AE comp view. But when I render a ProRes 422 hq file it looks all…

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