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	<title>Creative COW | Mike Jackson | Activity</title>
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				<title>Mike Jackson replied to the discussion  in the forum </title>
				<link>https://creativecow.net/?post_type=topic&#038;p=363873%2F&#038;view=all#post-363876</link>
				<pubDate>Thu, 30 Oct 2014 18:07:54 +0000</pubDate>

									<content:encoded><![CDATA[<p>Well, there&#8217;s not much more I can say without writing an essay on the finishing process and how it relates to Premiere&#8217;s functionality.</p>
<p>ProRes422(HQ) gives you the best image quality bang for buck. It hits the sweet spot for image quality vs. file size vs. smooth playback, and you can push a grade pretty far in it before you see any artifacting&hellip;<span class="activity-read-more" id="activity-read-more-400256"><a href="https://creativecow.net/?post_type=topic&#038;p=363873%2F&#038;view=all#post-363876" rel="nofollow"> Read more</a></span></p>
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				<title>Mike Jackson replied to the discussion  in the forum </title>
				<link>https://creativecow.net/?post_type=topic&#038;p=363873%2F&#038;view=all#post-363874</link>
				<pubDate>Mon, 20 Oct 2014 02:50:13 +0000</pubDate>

									<content:encoded><![CDATA[<p>Premiere can play most codecs smoothly, but some will play better than others. RED footage tends to perform poorly unless you play at half-rez or have a tricked-out system, and I find 4K H264 stutters frequently.</p>
<p>If you&#8217;re talking about what to render previews in and finish in, most people I know would argue for some flavor of ProRes (if you&#8217;re&hellip;<span class="activity-read-more" id="activity-read-more-400254"><a href="https://creativecow.net/?post_type=topic&#038;p=363873%2F&#038;view=all#post-363874" rel="nofollow"> Read more</a></span></p>
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