Thanks Matt. I have actually read that article and followed those instructions. It was a day’s work bringing all the audio back to the timeline with Match Frame and also it was unnerving doing so much in the timeline after picture-lock, increasing the chance that something could go wrong. But it worked pretty well during the edit.

I will take your…

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What is the best, most simple workflow for narrative films in regards to multiple tracks of audio?

So, I have the camera files with their reference audio tracks, and I have the sound mixer’s tracks that I have to sync (sometimes seven tracks). Part of the problem is that if I start moving around and editing with all these tracks of audio it’s very…

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